Was it a failure?

Or did it enter the realm of Black Projects.

This has been #CloudSeeding101
Part 1 & 2

Class

Dismissed

Thank you to all Wizards 🧙‍♂️ Domestic and Foreign who’ve contributed to #CloudSeeding101

Part 1
https://t.me/AzazelNews/140857

Part 2
https://t.me/AzazelNews/140868

Kate Bush
- Cloudbusting

If 2 more of you build Oscillators when doing the #Learningtowalk Homework 📚

We will move forward into #Djinn101 as one of the 9 Societies of Sentient life on Earth 🌎

In the ancient world, this is how vibration and abrasives were used to cut and melt stone. 🧙‍♂️

Any of you can replicate this technology. 🔨

Correct!!!!! This channel is living proof

Everything we taught you in #Learningtowalk

Tunning Forks as oscillators
On the above image, you can see a tuning fork and hammer. If both are drawn to scale, then the tuning fork is quite large.

A hammer could be needed to strike so large a fork. This fork was likely made of bronze, just as bells are made of bronze, due to the ideal stiffness and resilience of the material allowing for prolonged vibrations. Also, the Pict/Celt civilization traces back to Bronze Age.

To the right of the fork is what looks like an anvil, ax-head, or horn.

Horns have acoustic applications, as explained on Wikipedia:

A horn loudspeaker is a complete loudspeaker or loudspeaker element which uses a horn to increase the overall efficiency of the driving element, typically a diaphragm driven by an electromagnet. The horn itself is a passive component and does not amplify the sound from the driving element as such, but rather improves the coupling efficiency between the speaker driver and the air.

The horn can be thought of as an “acoustic transformer” that provides impedance matching between the relatively dense diaphragm material and the air of low density. The result is greater acoustic output from a given driver.