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THE SCALE OF FORCES

First octave (unity per second) is approximately the lowest frequency capable of producing waves of rarefaction and condensation in the air. The atomic aggregate oscillating at this pitch can be experimentally determined, and the aggregate vibrating at a pitch one octave higher will have a mass lying between ^ and the cube root of the mass of the first-mentioned aggregate ; the exact relation under varying conditions of gravity, magnetic saturation, and pressure, can be determined only by accurate measurements. But assuming a body of a size represented by x, with a pitch represented by 1024 per second, then a pitch of 2048 per second will be produced by a body having a volume of some mean between of x and the cube root of x. By accurately determining the pitch of a volume of any metallic sphere capable of oscillating at the pitch of, e.g., the eleventh octave of sonity (1024 per second), under normal conditions of gravity, pressure, magnetism, and then successively diminishing its size by ^ of itself, we get the successive octaves of pitches higher and higher in period-frequency until we pass the domain of sonity and enter the domain of sono-thermity. The point where the one form of energy merges into the other lies approximately at the twenty-first octave, and this pitch also marks the point where the air is no longer capable of vibrating at that pitch in waves of transverse form. This first gamut of 21| octaves consists of three forms ; viz. sonity, sound, and sonism. The following is a tabulation of the pitches of sonity in octaves from one vibration per second to where the next form of energy commences.

If you want to find the secrets of the universe, think in terms of energy, frequency and vibration.
Nikola Tesla

Keely experiments analyzed by W. Colville :
"I see before me on a table a glass jar, ten inches in diameter and forty-eight inches high, filled with water. At the bottom lie three metal balls like one I hold in my hand, which weighs about two pounds. The jar has a metal cap to which is attached the gold and platinum wire reaching from the copper globe. I am told each ball, like every mass of matter, has its peculiar musical chord. I am reminded of well-known facts of sym pathetic vibration; e.g., a large mill trembling in response to the note of a neighboring waterfall, and only quieted and rendered safe by building on an addition, changing its musical chord. And now again the rods are twanged, the knob is turned, the trumpet sounds and keeps sounding till, in a moment or two,

I see one ball begin to sway from right to left, then slowly leave the bottom of the jar and rise through the water till with a bump it strikes the metal cap, rebounds a few inches and comes to rest in contact with it on the surface of the water. Still the horn blows, and by this time the second ball responds in like manner, and then the third. Then the music ceases, and we turn to other experiments, but as long as I stayed in the shop that day something made that metal swim. My companion said he had often seen the weights brought slowly down, or held midway, as shown by photographs, by sounding other chords. On the top of the jar lay cer tain pieces of metal. Keely said, 'Do not remove those. I once did that, and crash went the balls through the bottom of my jar.'
Now here was a pulling power acting at a distance of four feet, not capable of lifting the weights through the air, but before all eyes lifting them through water. Can this pulling power turn a wheel ?

The Vaporic Gun

http://www.rexresearch.com/keely/keely.html

Vaporic Gun in Popular Culture

All Hidden In Plain Sight

Before you learn to run, 🛸

you need to learn how to walk. 🗿

Learn to use applied science in combination with forbidden knowledge and build an Oscillator (Vaporic Gun)

It's all hidden in plain sight.

https://youtu.be/oW5wRfLtGsE

What’s even more exciting exciting in this tweet. Is why would you need to Vaporize Rocks on Mars?

If we’ve had NTBM since the 60s
and since we’ve also been on Mars since the late 50s