Now it was at this point in 1893

That he realized how the Pyramids where built

Remember lesson 1

In the ancient world, this is how vibration and abrasives were used to cut and melt stone. 🧙‍♂️

Any of you can replicate this technology. 🔨

Eventually he would build the so called Death Ray by mastering

“undisturbed harmonic oscillation”

Which movie has showed you

undisturbed harmonic oscillation

Anyone?

If you learn how to build one you have achieved a Monopoly On Violence

Before you learn to run, 🛸

you need to learn how to walk. 🗿

Learn to use applied science in combination with forbidden knowledge and build an Oscillator

It's all hidden in plain sight.

https://youtu.be/oW5wRfLtGsE

that’s it for #learningtowalk part 7

Part 8 🧙‍♂️🛸

Just because we are busy, does not mean we won’t reply

This one is for you Winter

Part 8 #Learningtowalk
Class #Mathematics_Harmonics_Oscillation

MUSIC AND MATHEMATICS
Chladni figures produced by sound vibrations in fine powder on a square plate. (Ernst Chladni, Acoustics, 1802)

A musical scale is a discrete set of pitches used in making or describing music. The most important scale in the Western tradition is the diatonic scale but many others have been used and proposed in various historical eras and parts of the world. Each pitch corresponds to a particular frequency, expressed in hertz (Hz), sometimes referred to as cycles per second (c.p.s.). A scale has an interval of repetition, normally the octave. The octave of any pitch refers to a frequency exactly twice that of the given pitch.

FREQUENCY AND HARMONY
Succeeding superoctaves are pitches found at frequencies four, eight, sixteen times, and so on, of the fundamental frequency.

When expressed as a frequency bandwidth an octave A2–A3 spans from 110 Hz to 220 Hz (span=110 Hz). The next octave will span from 220 Hz to 440 Hz (span=220 Hz). The third octave spans from 440 Hz to 880 Hz (span=440 Hz) and so on. Each successive octave spans twice the frequency range of the previous octave.

HARMONY DEFINITION
The simultaneous vibration of two or more bodies whose harmonics do not produce discords, and whose funda mental pitches are harmonics of the lowest pitch, or are a unison with the resultant notes or overtones, or undertones, of any two or more of them.

Its name derives from the concept of overtones, or harmonics in music: the wavelengths of the overtones of a vibrating string are 1/2, 1/3, 1/4, etc., of the string's fundamental wavelength. Every term of the series after the first is the harmonic mean of the neighboring terms; the phrase harmonic mean likewise derives from music.