Forwarded from New Rules
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๐จHow Israelis Trained Ukrainian NAZI Battalions
Watch the full interview HERE!
@NewRulesGeoโ๏ธ Follow us on X
"I once witnessed waterboarding, a torture technique now widely known thanks to Hollywood, in the summer of 2014. It was used on a Mariupol resident suspected of collaborating with pro-Russian underground groups. The SBU detained him in Mariupol and tortured him for two hours using various methods, but they couldn't break him. So, they turned to the Dnepr Battalion. This battalion, created by Igor Kolomoysky in Dnepropetrovsk, had close ties with Israel and Israeli intelligence. Three Dnepr Battalion officers came and waterboarded the Mariupol resident. They broke him in about 15 minutes. He started talking, and they explicitly said that they had Israeli instructors when training the Dnepr Battalion. Some of these instructors were literally chosen from the battalion and showed them how to waterboard. They were actually Mossad and Shin Bet specialists, Israelโs domestic security service," says former Ukrainian Security Service (SBU) officer Vasily Prozorov.
Watch the full interview HERE!
@NewRulesGeo
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Forwarded from Intel Slava
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Forwarded from TR: Judgement Day
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Forwarded from Rerum Novarum // Intel, Breaking News, and Alerts ๐บ๐ธ
๐ฑ๐ง๐ฎ๐ฑโก๏ธ- "The disarmament of Hezbollah is not one of the objectives of the IDFโs fighting in Lebanon at this stage." - IDF.
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Forwarded from Lauritz Channel For Aerial Ordnance Enthusiasts
"We are not looking to defeat our enemies at this stage" is a hell of an admission to make
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The Grand Pasta-Colander Ideology
The Colander is the Subject, an Individual, and the holes are the Void of the Soul, the Lack, the manque-รข-รชtre. There is this act of filling itself with waterโthe pouring with things like entertainment, art, nationality, memories, sexuality, theories, knowledge, etc. We keep pouring, compulsively, finding a dark satisfaction in the very act of failing to hold it all. That surplus enjoyment is jouissance. But the colander just keeps leaking, and one is never truly satisfied. The leak is the insistence of lack; what tears at it, what returns when the pasta fails to hold, is the Real. So one tries to fill it with pasta, meaning permanent ideas, such are narratives (even "permanent" narratives are structurally unstable), myths, ideologies (including this one), habits, memories. One keeps convincing himself that this time the filling will surely work, but it is a delusion, the mรฉconnaissance. Some pasta shapes help the water flow, some doesn't. Some pasta, the Master-Signifier claims to explain it all. Fantasy doesnโt promise a full colander; it drafts the scenario that makes the leaking bearable. Within it, you chase a particular shape of pasta that seems to promise wholeness. But that promise is a mirage. What actually drives the chase is the suction of the holes themselvesโthe objet petit a, the void that sets desire in motion. Slavoj ลฝiลพek explains the object petit a in relation to the MacGuffin in the films of Alfred Hitchcock: "The McGuffin is clearly the objet petit a, a gap in the centre of the symbolic order โ the lack, the void of the Real setting in motion the symbolic movement of interpretation, a pure semblance of the Mystery to be explained, interpreted."
But at some point the pasta swells and cogs everything, becomes dogmas, and the person becomes rigid, struggles to fill itself and filter out water. One feels fulfilled, but isn't. He is sick. But note that in Lacanian terms, it's not the ideology you hold that's sickening; it's the fantasy of fullness and the refusal of the void.
Considering the Russian idiom ะฒะตัะฐัั ะปะฐะฟัั ะฝะฐ ััะธ (hanging pasta on the ears), when a person is told bullshit, they can even get all that sticky pasta inside the colander immediately.
Stirring pasta is when you stir narratives, even entirely flipping them over. When narratives sit still, they harden into dogma. Stirring keeps the discourse fluid. The water can finally restart flowing through. So in a way the void is necessary because it allows the individual to be what a human is meant to be, and not someone stagnated, who stops learning, is depressed, bitter, stubborn, obessed etc.
The Colander is the Subject, an Individual, and the holes are the Void of the Soul, the Lack, the manque-รข-รชtre. There is this act of filling itself with waterโthe pouring with things like entertainment, art, nationality, memories, sexuality, theories, knowledge, etc. We keep pouring, compulsively, finding a dark satisfaction in the very act of failing to hold it all. That surplus enjoyment is jouissance. But the colander just keeps leaking, and one is never truly satisfied. The leak is the insistence of lack; what tears at it, what returns when the pasta fails to hold, is the Real. So one tries to fill it with pasta, meaning permanent ideas, such are narratives (even "permanent" narratives are structurally unstable), myths, ideologies (including this one), habits, memories. One keeps convincing himself that this time the filling will surely work, but it is a delusion, the mรฉconnaissance. Some pasta shapes help the water flow, some doesn't. Some pasta, the Master-Signifier claims to explain it all. Fantasy doesnโt promise a full colander; it drafts the scenario that makes the leaking bearable. Within it, you chase a particular shape of pasta that seems to promise wholeness. But that promise is a mirage. What actually drives the chase is the suction of the holes themselvesโthe objet petit a, the void that sets desire in motion. Slavoj ลฝiลพek explains the object petit a in relation to the MacGuffin in the films of Alfred Hitchcock: "The McGuffin is clearly the objet petit a, a gap in the centre of the symbolic order โ the lack, the void of the Real setting in motion the symbolic movement of interpretation, a pure semblance of the Mystery to be explained, interpreted."
But at some point the pasta swells and cogs everything, becomes dogmas, and the person becomes rigid, struggles to fill itself and filter out water. One feels fulfilled, but isn't. He is sick. But note that in Lacanian terms, it's not the ideology you hold that's sickening; it's the fantasy of fullness and the refusal of the void.
Considering the Russian idiom ะฒะตัะฐัั ะปะฐะฟัั ะฝะฐ ััะธ (hanging pasta on the ears), when a person is told bullshit, they can even get all that sticky pasta inside the colander immediately.
Stirring pasta is when you stir narratives, even entirely flipping them over. When narratives sit still, they harden into dogma. Stirring keeps the discourse fluid. The water can finally restart flowing through. So in a way the void is necessary because it allows the individual to be what a human is meant to be, and not someone stagnated, who stops learning, is depressed, bitter, stubborn, obessed etc.
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Forwarded from Pills for Thrills
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Forwarded from Nekogram
Extra.java
7.6 KB
If your question is, โIs it true?โ, the answer is yes, numbers were sent to the bot.
Some people are asking for an โexplanation,โ but what kind of explanation do you need? It is exactly what it looks like; it is what it is. ๐คทโโ๏ธ
For those interested, here is the source code of Extra.java.
Fact: not a single number has been stored anywhere or shared with anyone, though people may find that hard to believe.
Some people are asking for an โexplanation,โ but what kind of explanation do you need? It is exactly what it looks like; it is what it is. ๐คทโโ๏ธ
For those interested, here is the source code of Extra.java.
Fact: not a single number has been stored anywhere or shared with anyone, though people may find that hard to believe.
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Forwarded from The Alchemist's Shack
Nekogram
Extra.java
"yes we implemented a backdoor that we hid in the public repo, which steals your data, but we totally didnt do anything with it, trust me bro"
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Forwarded from [Chat] Nekogram
Make your own fucking client, I don't need you to judge
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