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Jaguar Spirit
The Black Moon: A 2nd New Moon in December
Black Moon: What Is It And How Often Does It Happen? StarWalk Astronomical News: 12/28/2024 What is a Black Moon? The lunar calendar closely aligns with Earth’s calendar year. That’s why we u…
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Ninga Odé shared,
' What is the name of the land you are standing on?
What is it in her familiar tongue?
Who are the people who belong to her?
Where are those people now?
How were they moved, killed, eliminated for you to be there today?
You. Not your ancestors. You.
How many of their elders are living?
How many youth?
How many language holders?
What is the language that they speak?
What have you done in defense of that land today?
To show gratitude for her generosity?
To show apology for her pain?
What have you done to uphold her natural claim to relationship? To protect the non-human relatives that rely on her?
What have you done to resolve the oppression you uphold and benefit from? The abuse she endures. To be in right relationship, and to respect the ancestors of this land? To respect her descendants?
What have you done to resolve your spiritual debt?
The one that came with your knowing, where ignorance and your own struggle are no longer an excuse?
This is the standard for trust.
I don't need an explanation of unnatural law or the way it has impacted your own journey here, I understand the spirit of this land completely.
She is mindimooyenh, my matriarch, my mother & she is waiting for you.
We're going to remember that when we come here.
Apane. (2020) 🌻 '
facebook.com/share/1C45sChmNu
t.me/TheIntuitiveInvisible/1018?single • t.me/AbyaYalaRPI/1178?single • t.me/IntuitiveLand/35?single • t.me/IntuitiveSacred/449?single • t.me/IntuitiveEarth/2345?single • t.me/IntuitiveFlow/2662?single • t.me/RedIntuitiva/394?single • t.me/EsoExp/674?single • t.me/IntuitiveEdge/134?single • t.me/IntuitiveProwess/108?single • t.me/IntuitivePublicRadio/12878?single
' What is the name of the land you are standing on?
What is it in her familiar tongue?
Who are the people who belong to her?
Where are those people now?
How were they moved, killed, eliminated for you to be there today?
You. Not your ancestors. You.
How many of their elders are living?
How many youth?
How many language holders?
What is the language that they speak?
What have you done in defense of that land today?
To show gratitude for her generosity?
To show apology for her pain?
What have you done to uphold her natural claim to relationship? To protect the non-human relatives that rely on her?
What have you done to resolve the oppression you uphold and benefit from? The abuse she endures. To be in right relationship, and to respect the ancestors of this land? To respect her descendants?
What have you done to resolve your spiritual debt?
The one that came with your knowing, where ignorance and your own struggle are no longer an excuse?
This is the standard for trust.
I don't need an explanation of unnatural law or the way it has impacted your own journey here, I understand the spirit of this land completely.
She is mindimooyenh, my matriarch, my mother & she is waiting for you.
We're going to remember that when we come here.
Apane. (2020) 🌻 '
facebook.com/share/1C45sChmNu
t.me/TheIntuitiveInvisible/1018?single • t.me/AbyaYalaRPI/1178?single • t.me/IntuitiveLand/35?single • t.me/IntuitiveSacred/449?single • t.me/IntuitiveEarth/2345?single • t.me/IntuitiveFlow/2662?single • t.me/RedIntuitiva/394?single • t.me/EsoExp/674?single • t.me/IntuitiveEdge/134?single • t.me/IntuitiveProwess/108?single • t.me/IntuitivePublicRadio/12878?single
Ensign LeChat here, Klingon bird of prey spotted, please bring some toys and my glass of Chardonnay. Happy Caturday!
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t.me/SpaceCatStation/722
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Ensign LeChien here. The bridge is secure, control transferred to engineering, expect my reward is forthcoming. I only want Bones!
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t.me/SpaceDogSchool/2443
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"Suddenly, I am beginning not to trust my memory at all." — Paula Alquist Anton played by Ingrid Bergman, in Gaslight (1944) • t.me/DeepTheShadowbag/246, t.me/IntuitiveSocialHorror/2735, t.me/IntuitiveOperaCompany/48
The Golden Girls • facebook.com/share/p/1KR97R6HoX
' J R R Tolkien’s dislike of Disney was not casual, and it did not come from jealousy or trend resistance.
It began in 1937. That year, Tolkien published The Hobbit, a carefully constructed myth shaped by language, history, and moral weight. Just months later, Disney released Snow White and the Seven Dwarfs, the first animated feature film of its kind. The timing unsettled him.
Tolkien watched the film with his close friend C S Lewis. Neither was impressed.
What Tolkien saw was not technical failure. He recognized Disney’s talent immediately. What disturbed him was intent. Fairy tales, in Tolkien’s view, were not decorative entertainment. They were ancient tools meant to confront fear, loss, danger, and moral consequence. Disney’s approach transformed those elements into sentiment, humor, and spectacle designed for universal consumption.
That transformation felt like corruption to him.
In a letter written in 1964, Tolkien stated plainly that Disney’s talent seemed hopelessly corrupted. He believed that any story Disney touched risked being flattened into something moral but shallow, visually rich but spiritually thin. Clear villains replaced moral ambiguity. Dark edges became soft conclusions. Myth was reduced to amusement.
This was not personal hatred. It was philosophical opposition.
Disney believed stories reached their highest purpose when simplified for mass audiences. Tolkien believed stories gained power only when they retained shadows, complexity, and danger. One tried to modernize myth. The other tried to protect it from modernity.
This belief shaped Tolkien’s resistance to film adaptation throughout his life. He feared that cinematic convenience would erase the depth he had built word by word.
For Tolkien, mythology was not meant to be improved. It was meant to be preserved.
When stories lose their darkness, do they still deserve to be called myth. '
facebook.com/share/p/17A38HJvs7
t.me/IntuitiveSpace/628
It began in 1937. That year, Tolkien published The Hobbit, a carefully constructed myth shaped by language, history, and moral weight. Just months later, Disney released Snow White and the Seven Dwarfs, the first animated feature film of its kind. The timing unsettled him.
Tolkien watched the film with his close friend C S Lewis. Neither was impressed.
What Tolkien saw was not technical failure. He recognized Disney’s talent immediately. What disturbed him was intent. Fairy tales, in Tolkien’s view, were not decorative entertainment. They were ancient tools meant to confront fear, loss, danger, and moral consequence. Disney’s approach transformed those elements into sentiment, humor, and spectacle designed for universal consumption.
That transformation felt like corruption to him.
In a letter written in 1964, Tolkien stated plainly that Disney’s talent seemed hopelessly corrupted. He believed that any story Disney touched risked being flattened into something moral but shallow, visually rich but spiritually thin. Clear villains replaced moral ambiguity. Dark edges became soft conclusions. Myth was reduced to amusement.
This was not personal hatred. It was philosophical opposition.
Disney believed stories reached their highest purpose when simplified for mass audiences. Tolkien believed stories gained power only when they retained shadows, complexity, and danger. One tried to modernize myth. The other tried to protect it from modernity.
This belief shaped Tolkien’s resistance to film adaptation throughout his life. He feared that cinematic convenience would erase the depth he had built word by word.
For Tolkien, mythology was not meant to be improved. It was meant to be preserved.
When stories lose their darkness, do they still deserve to be called myth. '
facebook.com/share/p/17A38HJvs7
t.me/IntuitiveSpace/628