Arundhati Roy (Indian author, actress, and activist)
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Born : November 24, 1961
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is an Indian author and political activist who is best known for the award-winning novel The God of Small Things (1997) and for her involvement in environmental and human rights causes, which resulted in various legal problems for her.
In 1997 Roy published her debut novel, The God of Small Things to wide acclaim. The semiautobiographical work departed from the conventional plots and light prose that had been typical among best-sellers at the time. Composed in a lyrical language about Indian themes and characters in a narrative that wandered through time, Roy’s novel became the biggest-selling book by a nonexpatriate Indian author and won the 1997 Booker Prize for Fiction.
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Born : November 24, 1961
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is an Indian author and political activist who is best known for the award-winning novel The God of Small Things (1997) and for her involvement in environmental and human rights causes, which resulted in various legal problems for her.
In 1997 Roy published her debut novel, The God of Small Things to wide acclaim. The semiautobiographical work departed from the conventional plots and light prose that had been typical among best-sellers at the time. Composed in a lyrical language about Indian themes and characters in a narrative that wandered through time, Roy’s novel became the biggest-selling book by a nonexpatriate Indian author and won the 1997 Booker Prize for Fiction.
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“To love. To be loved. To never forget your own insignificance. To never get used to the unspeakable violence and the vulgar disparity of life around you. To seek joy in the saddest places. To pursue beauty to its lair. To never simplify what is complicated or complicate what is simple. To respect strength, never power. Above all, to watch. To try and understand. To never look away. And never, never to forget.”
― The Cost of Living
― The Cost of Living
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“That's what careless words do. They make people love you a little less.”
― The God of Small Things
― The God of Small Things
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“This was the trouble with families. Like invidious doctors, they knew just where it hurt.”
― The God of Small Things
― The God of Small Things
“There's really no such thing as the 'voiceless'. There are only the deliberately silenced, or the preferably unheard.”
“I am completely a loner. In my head I want to feel I can be anywhere. There is a sort of recklessness that being a loner allows me.”
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“If he touched her, he couldn't talk to her, if he loved her he couldn't leave, if he spoke he couldn't listen, if he fought he couldn't win.”
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"The system will collapse if we refuse to buy what they are selling…their ideas, their version of history, their wars…their notion of inevitability. Remember this: We may be many and they be few... Another world is not only possible, she is on her way. On a quiet day, I can hear her breathing."
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Arthur Golden
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Born : December 6, 1956
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He is the author of the bestselling novel Memoirs of a Geisha (1997).
Golden's most well-known novel, Memoirs of a Geisha, was written over a six-year period. The novel was re-written in its entirety three times during its development. Golden changed the point of view with each re-write, eventually settling on Sayuri's perspective.
During research for the novel, Golden conducted interviews with a number of geisha, including famous ex-geisha Mineko Iwasaki. After the Japanese edition of the novel was published, Golden was sued by Iwasaki for breach of contract and defamation of character, with Iwasaki alleging that Golden had agreed to protect her anonymity if she was interviewed about her life as a geisha, due to the traditional code of silence held between geisha in regard to their clients. The lawsuit was settled out of court in February 2003.
After its release in 1997, Memoirs of a Geisha spent two years on the New York Times bestseller list.
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Born : December 6, 1956
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He is the author of the bestselling novel Memoirs of a Geisha (1997).
Golden's most well-known novel, Memoirs of a Geisha, was written over a six-year period. The novel was re-written in its entirety three times during its development. Golden changed the point of view with each re-write, eventually settling on Sayuri's perspective.
During research for the novel, Golden conducted interviews with a number of geisha, including famous ex-geisha Mineko Iwasaki. After the Japanese edition of the novel was published, Golden was sued by Iwasaki for breach of contract and defamation of character, with Iwasaki alleging that Golden had agreed to protect her anonymity if she was interviewed about her life as a geisha, due to the traditional code of silence held between geisha in regard to their clients. The lawsuit was settled out of court in February 2003.
After its release in 1997, Memoirs of a Geisha spent two years on the New York Times bestseller list.
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“At the temple there is a poem called "Loss" carved into the stone. It has three words, but the poet has scratched them out. You cannot read loss, only feel it.”
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“The heart dies a slow death, shedding each hope like leaves until one day there are none. No hopes. Nothing remains.”
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“Grief is a most peculiar thing; we’re so helpless in the face of it. It’s like a window that will simply open of its own accord. The room grows cold, and we can do nothing but shiver. But it opens a little less each time, and a little less; and one day we wonder what has become of it.”
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“I don't know when we'll see each other again or what the world will be like when we do. We may both have seen many horrible things. But I will think of you every time I need to be reminded that there is beauty and goodness in the world.”
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“I dont think any of us can speak frankly about pain until we are no longer enduring it.”
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“If you aren't the woman I think you are, then this isn't the world I thought it was.”
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“Was life nothing more than a storm that constantly washed away what had been there only a moment before, and left behind something barren and unrecognizable?”
“It was what we Japanese called the onion life, peeling away a layer at a time and crying all the while.”
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“Some people have difficulty telling the difference between something great and something they've simply heard of.”
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