“Two people in love, alone, isolated from the world, that's beautiful.”
❤3
“You can't measure the mutual affection of two human beings by the number of words they exchange.”
❤2
“Anyone whose goal is 'something higher' must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves.”
― The Unbearable Lightness of Being
― The Unbearable Lightness of Being
“When the heart speaks, the mind finds it indecent to object.”
― The Unbearable Lightness of Being
― The Unbearable Lightness of Being
“Making love with a woman and sleeping with a woman are two separate passions, not merely different but opposite. Love does not make itself felt in the desire for copulation (a desire that extends to an infinite number of women) but in the desire for shared sleep (a desire limited to one woman).”
― The Unbearable Lightness of Being
― The Unbearable Lightness of Being
❤1
“Love is the longing for the half of ourselves we have lost.”
― The Unbearable Lightness of Being
― The Unbearable Lightness of Being
❤1
“But when the strong were too weak to hurt the weak, the weak had to be strong enough to leave.”
― The Unbearable Lightness of Being
― The Unbearable Lightness of Being
“The Greek word for "return" is nostos. Algos means "suffering." So nostalgia is the suffering caused by an unappeased yearning to return.”
― Ignorance
― Ignorance
❤1
“The heaviest of burdens crushes us, we sink beneath it, it pins us to the ground. But in love poetry of every age, the woman longs to be weighed down by the man's body.The heaviest of burdens is therefore simultaneously an image of life's most intense fulfillment. The heavier the burden, the closer our lives come to the earth, the more real and truthful they become. Conversely, the absolute absence of burden causes man to be lighter than air, to soar into heights, take leave of the earth and his earthly being, and become only half real, his movements as free as they are insignificant. What then shall we choose? Weight or lightness?”
― The Unbearable Lightness of Being
― The Unbearable Lightness of Being
❤1
“People are always shouting they want to create a better future. It's not true. The future is an apathetic void of no interest to anyone. The past is full of life, eager to irritate us, provoke and insult us, tempt us to destroy or repaint it. The only reason people want to be masters of the future is to change the past.”
❤1
“There is no means of testing which decision is better, because there is no basis for comparison. We live everything as it comes, without warning, like an actor going on cold. And what can life be worth if the first rehearsal for life is life itself? That is why life is always like a sketch. No, "sketch" is not quite a word, because a sketch is an outline of something, the groundwork for a picture, whereas the sketch that is our life is a sketch for nothing, an outline with no picture.”
― The Unbearable Lightness of Being
― The Unbearable Lightness of Being
“Love is by definition an unmerited gift; being loved without meriting it is the very proof of real love. If a woman tells me: I love you because you're intelligent, because you're decent, because you buy me gifts, because you don't chase women, because you do the dishes, then I'm disappointed; such love seems a rather self-interested business. How much finer it is to hear: I'm crazy about you even though you're neither intelligent nor decent, even though you're a liar, an egotist, a bastard.”
― Slowness
― Slowness
“The only relationship that can make both partners happy is one in which sentimentality has no place and neither partner makes any claim on the life and freedom of the other.”
― The Unbearable Lightness of Being
― The Unbearable Lightness of Being
“We all need someone to look at us. we can be divided into four categories according to the kind of look we wish to live under. the first category longs for the look of an infinite number of anonymous eyes, in other words, for the look of the public. the second category is made up of people who have a vital need to be looked at by many known eyes. they are the tireless hosts of cocktail parties and dinners. they are happier than the people in the first category, who, when they lose their public, have the feeling that the lights have gone out in the room of their lives. this happens to nearly all of them sooner or later. people in the second category, on the other hand, can always come up with the eyes they need. then there is the third category, the category of people who need to be constantly before the eyes of the person they love. their situation is as dangerous as the situation of people in the first category. one day the eyes of their beloved will close, and the room will go dark. and finally there is the fourth category, the rarest, the category of people who live in the imaginary eyes of those who are not present. they are the dreamers.”
“The goals we pursue are always veiled. A girl who longs for marriage longs for something she knows nothing about. The boy who hankers after fame has no idea what fame is. The thing that gives our every move its meaning is always totally unknown to us.”
― The Unbearable Lightness of Being
― The Unbearable Lightness of Being
“Does he love me? Does he love anyone more than me? Does he love me more than I love him? Perhaps all the questions we ask of love, to measure, test, probe, and save it, have the additional effect of cutting it short. Perhaps the reason we are unable to love is that we yearn to be loved, that is, we demand something (love) from our partner instead of delivering ourselves up to him demand-free and asking for nothing but his company.”
― The Unbearable Lightness of Being
― The Unbearable Lightness of Being
❤1
“I was not a hypocrite, with one real face and several false ones. I had several faces because I was young and didn't know who I was or wanted to be.”
― The Joke
― The Joke
“How could she feel nostalgia when he was right in front of her? How can you suffer from the absence of a person who is present?"
❤1
“I think, therefore I am is the statement of an intellectual who underrates toothaches. I feel, therefore I am is a truth much more universally valid, and it applies to everything that's alive. My self does not differ substantially from yours in terms of its thought. Many people, few ideas: we all think more or less the same, and we exchange, borrow, steal thoughts from one another. However, when someone steps on my foot, only I feel the pain. The basis of the self is not thought but suffering, which is the most fundamental of all feelings. While it suffers, not even a cat can doubt its unique and uninterchangeable self. In intense suffering the world disappears and each of us is alone with his self. Suffering is the university of egocentrism.”
― Immortality
― Immortality
William S. Burroughs (American writer)
_________
Born : February 5, 1914
Died : August 2, 1997
_________
American writer of experimental novels that evoke, in deliberately erratic prose, a nightmarish, sometimes wildly humorous world. His sexual explicitness (he was an avowed and outspoken homosexual) and the frankness with which he dealt with his experiences as a drug addict won him a following among writers of the Beat movement.
In 1943 Burroughs moved to New York City, where he became friends with Jack Kerouac and Allen Ginsberg, two writers who would become principal figures in the Beat movement. Burroughs first took morphine about 1944, and he soon became addicted to heroin.
_________
Born : February 5, 1914
Died : August 2, 1997
_________
American writer of experimental novels that evoke, in deliberately erratic prose, a nightmarish, sometimes wildly humorous world. His sexual explicitness (he was an avowed and outspoken homosexual) and the frankness with which he dealt with his experiences as a drug addict won him a following among writers of the Beat movement.
In 1943 Burroughs moved to New York City, where he became friends with Jack Kerouac and Allen Ginsberg, two writers who would become principal figures in the Beat movement. Burroughs first took morphine about 1944, and he soon became addicted to heroin.