“I'm sick of just liking people. I wish to God I could meet somebody I could respect.”
― Franny and Zooey

“I am always saying "Glad to've met you" to somebody I'm not at all glad I met. If you want to stay alive, you have to say that stuff, though.”
― The Catcher in the Rye

“The mark of the immature man is that he wants to die nobly for a cause, while the mark of the mature man is that he wants to live humbly for one.”
― The Catcher in the Rye

“That's the thing about girls. Every time they do something pretty, even if they're not much to look at, or even if they're sort of stupid, you fall in love with them, and then you never know where the hell you are. Girls. Jesus Christ. They can drive you crazy. They really can.”
― The Catcher in the Rye

“I'm sick of not having the courage to be an absolute nobody.”
― Franny and Zooey

“It's funny. All you have to do is say something nobody understands and they'll do practically anything you want them to.”
― The Catcher in the Rye

“I’m just sick of ego, ego, ego. My own and everybody else’s. I’m sick of everybody that wants to get somewhere, do something distinguished and all, be somebody interesting. It’s disgusting.”
― Franny and Zooey

“I was trying to feel some kind of good-bye. I mean I’ve left schools and places I didn’t even know I was leaving them. I hate that. I don’t care if it’s a sad good-bye or a bad good-bye, but when I leave a place I like to know I’m leaving it. If you don’t you feel even worse.”
― The Catcher in the Rye

“Make sure you marry someone who laughs at the same things you do.”
― The Catcher in the Rye

“I'm a kind of paranoiac in reverse. I suspect people of plotting to make me happy.”
― Raise High the Roof Beam

“I can’t explain what I mean. And even if I could, I’m not sure I’d feel like it.”
― The Catcher in the Rye

“I don’t give a damn, except that I get bored sometimes when people tell me to act my age. Sometimes I act a lot older than I am - I really do - but people never notice it. People never notice anything.”
― The Catcher in the Rye

“She was terrific to hold hands with. Most girls if you hold hands with them, their goddam hand dies on you, or else they think they have to keep moving their hand all the time, as if they were afraid they'd bore you or something. Jane was different. We'd get into a goddam movie or something, and right away we'd start holding hands, and we wouldn't quit till the movie was over. And without changing the position or making a big deal out of it. You never even worried, with Jane, whether your hand was sweaty or not. All you knew was, you were happy. You really were.”
― The Catcher in the Rye

“I'm not afraid to compete. It's just the opposite. Don't you see that? I'm afraid I will compete — that's what scares me. Just because I'm so horribly conditioned to accept everybody else's values, and just because I like applause and people to rave about me, doesn't make it right. I'm ashamed of it. I'm sick of it. I'm sick of not having the courage to be an absolute nobody. I'm sick of myself and everybody else that wants to make some kind of a splash.”
― Franny and Zooey

“I don't really deeply feel that anyone needs an airtight reason for quoting from the works of the writers he loves, but it's always nice, I'll grant you, if he has one.”
― Raise High the Roof Beam

Haruki Murakami (Japanese author)
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Born : January 12, 1949
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Japanese novelist, short-story writer, and translator whose deeply imaginative and often ambiguous books became international best sellers.

Murakami’s first novel Hear the Wind Sing won a prize for best fiction by a new writer. From the start his writing was characterized by images and events that the author himself found difficult to explain but which seemed to come from the inner recesses of his memory. Some argued that this ambiguity, far from being off-putting, was one reason for his popularity with readers, especially young ones, who were bored with the self-confessions that formed the mainstream of contemporary Japanese literature. His perceived lack of a political or intellectual stance irritated “serious” authors, who dismissed his early writings as being no more than entertainment.