Forwarded from Black Gay Space Communism
"However, regarding the very idea of being racist or sexist, this argument comes up a lot, the "of its time" defense is standard response to writing about racism or sexism in any non-contemporary cultural product. It's quietly ubiquitous—but it's also wrongheaded.
In the first place, the idea that sexism or racism is "a product of its time" assumes that the past was self-evidently worse than the present, that culture progresses in some sort of straight-line fashion, and that we can therefore assume that folks now are smarter and more enlightened than folks in the past. This is unduly flattering to the present, which has by no means overcome prejudice or stereotype.
The "product of its time" line, then, makes a hard divide between past and present, assuming that the past was completely benighted and that we are completely enlightened. It does this in the name of defending past literature: of morally exculpating Orwell, or Lovecraft or whoever, on the grounds that they couldn't be expected to help themselves, living as they did in such a dim and corrupt age.
Rather than defending them, though, this argument threatens to make these creators irrelevant. If, after all, the past was so different than the present, if we know so much more now than then, if we're so morally superior, then what can these writers teach us? If we have progressed so far beyond Orwell in our understanding of equality and freedom and justice and humanity, then why should we read 1984, which purports to discuss issues such as equality and freedom and justice and humanity?
The answer is that we should still read Orwell not despite the sexism, but in part because of it. The fact that 1984 uses a Manic Pixie Dream Girl doesn't make it helplessly of its time—MPDGs show up in our contemporary culture with a wearying consistency. Being attentive to Orwell's sexism is a way to be attentive to ours; it makes 1984 more relevant, not less. For example, in the book, the ultimate triumph of totalitarianism is that Winston and Julia's love fails.
You could read that as saying that all love, everywhere, is crushed by the power of the absolute state. But you could also see it as a comment on Winston and Julia's relationship, which is unreal insofar as Julia is treated as a tool for Winston's happiness, rather than a person in her own right. Sexism prevents their love affair from being a real love affair, which is why the state can break it apart.
From that perspective, 1984 can be read as an analysis of how totalitarianism and sexism are intertwined—and maybe, maybe, Orwell meant to be read that way.
None of this is to deny the importance of historical context. But one important historical context is that inequities of race, gender, and class (to name just three) have been around for a very long time, and aren't going anywhere. When writers address those issues, whether well or poorly, they are speaking to us. It's a lot more respectful to argue with them than it is to pretend we have evolved past the need for ears."
In the first place, the idea that sexism or racism is "a product of its time" assumes that the past was self-evidently worse than the present, that culture progresses in some sort of straight-line fashion, and that we can therefore assume that folks now are smarter and more enlightened than folks in the past. This is unduly flattering to the present, which has by no means overcome prejudice or stereotype.
The "product of its time" line, then, makes a hard divide between past and present, assuming that the past was completely benighted and that we are completely enlightened. It does this in the name of defending past literature: of morally exculpating Orwell, or Lovecraft or whoever, on the grounds that they couldn't be expected to help themselves, living as they did in such a dim and corrupt age.
Rather than defending them, though, this argument threatens to make these creators irrelevant. If, after all, the past was so different than the present, if we know so much more now than then, if we're so morally superior, then what can these writers teach us? If we have progressed so far beyond Orwell in our understanding of equality and freedom and justice and humanity, then why should we read 1984, which purports to discuss issues such as equality and freedom and justice and humanity?
The answer is that we should still read Orwell not despite the sexism, but in part because of it. The fact that 1984 uses a Manic Pixie Dream Girl doesn't make it helplessly of its time—MPDGs show up in our contemporary culture with a wearying consistency. Being attentive to Orwell's sexism is a way to be attentive to ours; it makes 1984 more relevant, not less. For example, in the book, the ultimate triumph of totalitarianism is that Winston and Julia's love fails.
You could read that as saying that all love, everywhere, is crushed by the power of the absolute state. But you could also see it as a comment on Winston and Julia's relationship, which is unreal insofar as Julia is treated as a tool for Winston's happiness, rather than a person in her own right. Sexism prevents their love affair from being a real love affair, which is why the state can break it apart.
From that perspective, 1984 can be read as an analysis of how totalitarianism and sexism are intertwined—and maybe, maybe, Orwell meant to be read that way.
None of this is to deny the importance of historical context. But one important historical context is that inequities of race, gender, and class (to name just three) have been around for a very long time, and aren't going anywhere. When writers address those issues, whether well or poorly, they are speaking to us. It's a lot more respectful to argue with them than it is to pretend we have evolved past the need for ears."
Black Gay Space Communism
"However, regarding the very idea of being racist or sexist, this argument comes up a lot, the "of its time" defense is standard response to writing about racism or sexism in any non-contemporary cultural product. It's quietly ubiquitous—but it's also wrongheaded.…
https://www.theatlantic.com/entertainment/archive/2014/01/the-product-of-its-time-defense-no-excuse-for-sexism-and-racism/283352/
#time #orwell #criticism #literature #sexism #racism
#time #orwell #criticism #literature #sexism #racism
The Atlantic
The 'Product of Its Time' Defense: No Excuse for Sexism and Racism
Dismissing the classics' shortcomings as just a reflection of the era's norms mischaracterizes history and undermines the books' very relevance.
Forwarded from The 15th International Vore Brigade (18+) (Tyulki is The Big Gay)
From John Fowles’ The French Lieutenant’s Woman.
#literature #time #intelligence #postmodernism #5thsem #poMo #postww2
#literature #time #intelligence #postmodernism #5thsem #poMo #postww2
Forwarded from Tsukinindi's Libregasmagoria: Sleeplessness edition (Tsukinoko Yukio)
YouTube
Judith Butler: "The value of what we do"
Judith Butler en la inauguración del Año Académico 2019:
"Cuando el pánico y la irracionalidad mueven la opinión pública, es una obligación de la universidad proporcionar un espacio para definir cómo debemos actuar"
Sigue a la Universidad de Chile en sus…
"Cuando el pánico y la irracionalidad mueven la opinión pública, es una obligación de la universidad proporcionar un espacio para definir cómo debemos actuar"
Sigue a la Universidad de Chile en sus…
https://thecorrespondent.com/100/the-new-dot-com-bubble-is-here-its-called-online-advertising
#internet #advertising #statistics #economics
#internet #advertising #statistics #economics
The Correspondent
The new dot com bubble is here: it’s called online advertising
In 2018 $273bn was spent on digital ads globally. We delve into the world of clicks, banners and keywords to find out if any of it is real. What do we really know about the effectiveness of digital advertising?
The Goopist
JPEGMAFIA – Quarter Life Crisis
"I didn't really start playing music, like seriously, until 25"
Too young for the old kids
Too old for the young
Too black for the white kids
Too black for my own
They say 25 is the prime of life
I feel like I'm dying from the outside
My hair thin, my wrinkled skin
Somebody help me out this quarter life crisis
I been sleeping in on Christmas every year since I became a teen
Birthday, Easter, New Year's, just another fuckin' day to me
Heard a kid on CBS say he gon' be a athlete
I wish that I had those choices made available to me
My whole life is wasted potential, I don't feel special B
Niggas nowadays be gettin' deals at fuckin' 17
When you 25 nobody cares 'bout what you feelin', yo
You shoulda made it by now nigga what the fuck you waitin' for
I been workin 12's tryna pay for fuckin' studios
Meanwhile the police is choking niggas out on video
#music #peggy #hipHop
Too young for the old kids
Too old for the young
Too black for the white kids
Too black for my own
They say 25 is the prime of life
I feel like I'm dying from the outside
My hair thin, my wrinkled skin
Somebody help me out this quarter life crisis
I been sleeping in on Christmas every year since I became a teen
Birthday, Easter, New Year's, just another fuckin' day to me
Heard a kid on CBS say he gon' be a athlete
I wish that I had those choices made available to me
My whole life is wasted potential, I don't feel special B
Niggas nowadays be gettin' deals at fuckin' 17
When you 25 nobody cares 'bout what you feelin', yo
You shoulda made it by now nigga what the fuck you waitin' for
I been workin 12's tryna pay for fuckin' studios
Meanwhile the police is choking niggas out on video
#music #peggy #hipHop
three initiating poems from CROW, a spread out collection of mythic poetry by Ted Hughes.
plays with language angrily, distrustful.
also reminds me of Pure Comedy(2017). envisions a mythic origin for humans and the inability to reconcile.
#poetry #myth #language #modernism
plays with language angrily, distrustful.
also reminds me of Pure Comedy(2017). envisions a mythic origin for humans and the inability to reconcile.
#poetry #myth #language #modernism
https://mobile.twitter.com/gravislizard/status/927593460642615296
Thread about GUIs and how we interact with them. for the keyboard, against the mice. praise be.
#technology #interface #UI #TwitterThread
Thread about GUIs and how we interact with them. for the keyboard, against the mice. praise be.
#technology #interface #UI #TwitterThread
Twitter
Gravis!
almost everything on computers is perceptually slower than it was in 1983
Frantz Fanon - Black Skin, White masks.
I have been called out by a 65 year old book.
#post-colonial
I have been called out by a 65 year old book.
#post-colonial