大气电力自由能系列10
建筑隐藏了什么 15 -1 - 大气自由能与古代建筑有关系吗?
在做了大气自由能的说明后，再看看古代建筑型式。
是为了宗教的设计吗? 还是一切的作法，只为了隐藏事实的背后。
After explaining the free energy of the atmosphere, let’s look at ancient architectural types.
Is it for religious design? Or are all the practices just to hide the facts?
建筑隐藏了什么 15 -1 - 大气自由能与古代建筑有关系吗?
在做了大气自由能的说明后，再看看古代建筑型式。
是为了宗教的设计吗? 还是一切的作法，只为了隐藏事实的背后。
After explaining the free energy of the atmosphere, let’s look at ancient architectural types.
Is it for religious design? Or are all the practices just to hide the facts?
建筑隐藏了什么 15 -2 - 大气自由能系列
用不同眼光，再来欣赏一下英国布莱顿皇家馆。
Let’s take a look at the Royal Pavilion in Brighton, UK, from a different perspective.
用不同眼光，再来欣赏一下英国布莱顿皇家馆。
Let’s take a look at the Royal Pavilion in Brighton, UK, from a different perspective.
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为什么我会研究地平?
因为2020年美国大选。就是因为这个视频。
那时大家很关心选举，世界未来的走向，那时大选出现很多乱像，民众对立。然而，在对立之余，怎么可能会出现这般对话。
于是，我硬着头皮去重新了解我永远不会想去了解的事情。
Why do I study flat earth?
Because of the 2020 US election. It's because of this video.
At that time, everyone was very concerned about the election and the future direction of the world. At that time, there was a lot of chaos in the election and the people were opposed. However, in the midst of confrontation, how could such a dialogue occur?
So, I bit the bullet and re-understood things I would never have thought to understand.
因为2020年美国大选。就是因为这个视频。
那时大家很关心选举，世界未来的走向，那时大选出现很多乱像，民众对立。然而，在对立之余，怎么可能会出现这般对话。
于是，我硬着头皮去重新了解我永远不会想去了解的事情。
Why do I study flat earth?
Because of the 2020 US election. It's because of this video.
At that time, everyone was very concerned about the election and the future direction of the world. At that time, there was a lot of chaos in the election and the people were opposed. However, in the midst of confrontation, how could such a dialogue occur?
So, I bit the bullet and re-understood things I would never have thought to understand.
👍1
Mud Flood 系列 9 - 大陆甘肃和青海规模6.2强震
大陆甘肃和青海规模6.2强震的现场与地震发生前的亮光。
新闻表示，大地震发生后，青海出现「砂涌现象」，实际就是mud flood 土壤液化。
那么，为什么新闻绝口不提mud flood 土壤液化? 为什么很多地震前，都会出现类似的亮光呢? 除了这些现象，这次事件也是提前预知的事件，请看视频3。
了解Mud Flood，可以参考前面的Mud Flood系列
https://t.me/Fibonacci_adj/449
大陆甘肃和青海规模6.2强震的现场与地震发生前的亮光。
新闻表示，大地震发生后，青海出现「砂涌现象」，实际就是mud flood 土壤液化。
那么，为什么新闻绝口不提mud flood 土壤液化? 为什么很多地震前，都会出现类似的亮光呢? 除了这些现象，这次事件也是提前预知的事件，请看视频3。
了解Mud Flood，可以参考前面的Mud Flood系列
https://t.me/Fibonacci_adj/449
👍1
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大腦陷阱
社群媒体如何摧毁你的生活——虚假的现实
社群媒体如何摧毁你的生活——虚假的现实
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与大自然相处，真的是很美妙的一件事。 - 大自然的奥义系列1
与其想办法远离手机、社交媒体，倒不如增加去接触大自然的机会，如爬山、骑马等。
手机、社交媒体是人类大脑与大脑的交互接换方式；与大自然相处，是身心与大自然交换频率与能量的方式、校正大脑失序的状态。
Being with nature is really a wonderful thing.
Instead of staying away from mobile phones and social media, it is better to increase your opportunities to get in touch with nature, such as mountain climbing, horseback riding, etc.
Mobile phones and social media are ways for human brains to interact with each other; getting along with nature is a way for the body and mind to exchange frequency and energy with nature and correct the disordered state of the brain.
与其想办法远离手机、社交媒体，倒不如增加去接触大自然的机会，如爬山、骑马等。
手机、社交媒体是人类大脑与大脑的交互接换方式；与大自然相处，是身心与大自然交换频率与能量的方式、校正大脑失序的状态。
Being with nature is really a wonderful thing.
Instead of staying away from mobile phones and social media, it is better to increase your opportunities to get in touch with nature, such as mountain climbing, horseback riding, etc.
Mobile phones and social media are ways for human brains to interact with each other; getting along with nature is a way for the body and mind to exchange frequency and energy with nature and correct the disordered state of the brain.
👍1
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Chemtrails 化学尾迹 and HAARP 系列7 - 佛罗里达州马匹保护协会的chemtrails化学尾迹
各种视频的天空，都少不了chemtrails化学尾迹的角色。
2023年1月30日 瑞安在佛罗里达州马匹保护协会与野马一起工作。
Ryan works with mustangs at the Horse Protection Association of Florid. Chemtrails is in the sky as usual.
各种视频的天空，都少不了chemtrails化学尾迹的角色。
2023年1月30日 瑞安在佛罗里达州马匹保护协会与野马一起工作。
Ryan works with mustangs at the Horse Protection Association of Florid. Chemtrails is in the sky as usual.
大师绘画里不同的解读系列 1-1 - 葛饰北斋的《神奈川冲浪里》
葛饰北斋于 1797 年开始探索这一主题，当时他 33 岁。然而，直到他 70 岁时，他才创作出任何具有重要意义的作品，他这样评价自己。这是 1831 年这件艺术品的最终版、最著名的版本，完成时他 72 岁。
我看到了大洪水将日本淹没了的背后意义。
Hokusai's The Great Wave off Kanagawa- Hokusai began exploring this motif in 1797, when he was 33 years old.It was not until his 70th year, however, that he produced anything of significance, he said about himself. And this is the final, most famous, 1831's version of the artwork, completeted when he was 72.
I saw the meaning behind the great flood that submerged Japan.
葛饰北斋于 1797 年开始探索这一主题，当时他 33 岁。然而，直到他 70 岁时，他才创作出任何具有重要意义的作品，他这样评价自己。这是 1831 年这件艺术品的最终版、最著名的版本，完成时他 72 岁。
我看到了大洪水将日本淹没了的背后意义。
Hokusai's The Great Wave off Kanagawa- Hokusai began exploring this motif in 1797, when he was 33 years old.It was not until his 70th year, however, that he produced anything of significance, he said about himself. And this is the final, most famous, 1831's version of the artwork, completeted when he was 72.
I saw the meaning behind the great flood that submerged Japan.
大师绘画里不同的解读系列 1-2 - 葛饰北斋的《神奈川冲浪里》的演变
葛饰北斋的《神奈川冲浪里》是日本艺术的代表作，几乎每个人看到它都会认出它。
该作品采用传统木刻印刷技术创作，代表了浮世绘的实践。
您可能不知道的是，这位日本大师一生中多次描绘了这一主题，创造了艺术品的真实演变，直至其最终形式。
图 1：葛饰北斋于 1797 年开始探索这一主题，当时他 33 岁。
图 2：葛饰北斋于 1803 年创作了他的第二部《巨浪》
图 3：两年后，46 岁的葛饰北斋完成了快速货船与海浪的战斗。
图 4：这是 1831 年这件艺术品的最终版、最著名的版本，完成时他 72 岁。
葛饰北斋的《神奈川冲浪里》是日本艺术的代表作，几乎每个人看到它都会认出它。
该作品采用传统木刻印刷技术创作，代表了浮世绘的实践。
您可能不知道的是，这位日本大师一生中多次描绘了这一主题，创造了艺术品的真实演变，直至其最终形式。
图 1：葛饰北斋于 1797 年开始探索这一主题，当时他 33 岁。
图 2：葛饰北斋于 1803 年创作了他的第二部《巨浪》
图 3：两年后，46 岁的葛饰北斋完成了快速货船与海浪的战斗。
图 4：这是 1831 年这件艺术品的最终版、最著名的版本，完成时他 72 岁。