طلبتنه الاعزا۽
طبعا تواصلت ويه اكثر من شخص بصف الاول
وانطاني كل المحاضرات الي نزلن
يعني اكو قناة كلشي ينزل بيها معناتها هذا الي درسوه ونزل بالكلاس وكذلك ينزلون شرح كلش حلو وراح تستعيد المادة وتذكر شرحها
القناة العامة
@zai2nb2
القناة الي خصصت فقط الكرمر الكم لان اكثر محاضرات هو ماخذينه
https://t.me/joinchat/AAAAAFLj5LLsYk0uXSJfKw
طبعا تواصلت ويه اكثر من شخص بصف الاول
وانطاني كل المحاضرات الي نزلن
يعني اكو قناة كلشي ينزل بيها معناتها هذا الي درسوه ونزل بالكلاس وكذلك ينزلون شرح كلش حلو وراح تستعيد المادة وتذكر شرحها
القناة العامة
@zai2nb2
القناة الي خصصت فقط الكرمر الكم لان اكثر محاضرات هو ماخذينه
https://t.me/joinchat/AAAAAFLj5LLsYk0uXSJfKw
The Second stage ❤️||ST pinned «طلبتنه الاعزا۽ طبعا تواصلت ويه اكثر من شخص بصف الاول وانطاني كل المحاضرات الي نزلن يعني اكو قناة كلشي ينزل بيها معناتها هذا الي درسوه ونزل بالكلاس وكذلك ينزلون شرح كلش حلو وراح تستعيد المادة وتذكر شرحها القناة العامة @zai2nb2 القناة الي خصصت فقط الكرمر…»
Leave me o love by Philip Sidney
Dr. Faisal A. Hayder Al-Doori
The speaker refuses "human, temporal, impermanent love in favor of
eternal love— the love for and of God. It is the most explicitly Christian,
as well as the most specifically biblical of all Sidney s sonnets".
Regarding the theme, "Sidney redefines love s yoke, and shifts his
speaker s allegiance from the lord of [courtly] love to the Lord of all
Love".
The mood of this sonnet is atypical for Sidney s writing. It is different
from that is found in "the sonnet sequence Astrophil and Stella, in the two
versions of the Arcadia, and rare in his prose works".
The speaker commands the temporal, mortal love that ends with rust: "but
to dust" (l. 1) to leave him, instead, he calls himself to follow the eternal
or divine love. Sidney refers to the Bible Matthew 6:19-20:
contrasting that which moth and rust consume—all material possessions and
human affections—with that which neither moth nor rust can consume—heaven
and divine love. Fleeting, mortal, ephemeral things give only momentary joy or
satisfaction.
The second quatrain holds a significant metaphor of the yoke . The
speaker wishes himself to put on "that sweet yoke, where lasting
freedoms be" (l. 6). This image is also quoted from the Bible (Matthew,
chapter 11) and the yoke is identified by the light . It also means an ;easy
burden . Also, it can be interpreted as God s yoke which is not a mere
slavery but is the real freedom.
In the concluding six lines, the speaker desires to have the light of
salvation that can lead a person through the progression of mortal life to
a happy end in heaven. The speaker denounces any who "slide." Since
each "comes of heavn ly breath," it is a primary human commitment to
discard the privileges of transient things in favor of "Eternal Love."
Dr. Faisal A. Hayder Al-Doori
The speaker refuses "human, temporal, impermanent love in favor of
eternal love— the love for and of God. It is the most explicitly Christian,
as well as the most specifically biblical of all Sidney s sonnets".
Regarding the theme, "Sidney redefines love s yoke, and shifts his
speaker s allegiance from the lord of [courtly] love to the Lord of all
Love".
The mood of this sonnet is atypical for Sidney s writing. It is different
from that is found in "the sonnet sequence Astrophil and Stella, in the two
versions of the Arcadia, and rare in his prose works".
The speaker commands the temporal, mortal love that ends with rust: "but
to dust" (l. 1) to leave him, instead, he calls himself to follow the eternal
or divine love. Sidney refers to the Bible Matthew 6:19-20:
contrasting that which moth and rust consume—all material possessions and
human affections—with that which neither moth nor rust can consume—heaven
and divine love. Fleeting, mortal, ephemeral things give only momentary joy or
satisfaction.
The second quatrain holds a significant metaphor of the yoke . The
speaker wishes himself to put on "that sweet yoke, where lasting
freedoms be" (l. 6). This image is also quoted from the Bible (Matthew,
chapter 11) and the yoke is identified by the light . It also means an ;easy
burden . Also, it can be interpreted as God s yoke which is not a mere
slavery but is the real freedom.
In the concluding six lines, the speaker desires to have the light of
salvation that can lead a person through the progression of mortal life to
a happy end in heaven. The speaker denounces any who "slide." Since
each "comes of heavn ly breath," it is a primary human commitment to
discard the privileges of transient things in favor of "Eternal Love."