Keitai no Hoji (形態の保持) means preserving the proper form in kata. It emphasizes correct shape of techniques, accuracy of stances, and upright posture. It is not just keeping the sequence but maintaining the exact form that defines the kata.
#kata #keitainohoji #shape #martialarts #shitoryu #karate #wskf #糸東会 #糸東流 #空手道 #糸東流空手 #空手
#kata #keitainohoji #shape #martialarts #shitoryu #karate #wskf #糸東会 #糸東流 #空手道 #糸東流空手 #空手
Ko-uke (Uchi)
This technique uses the back of the bent wrist for both blocking and striking. The hand bends inward, with the pinky and ring fingers folded tightly and the thumb pressing against the middle and ring fingers, forming a strong arch in the wrist. The shape resembles holding chopsticks (Hashi). The key is to keep the hand tight and the wrist firm.
#kouke #kouchi #koken #martialarts #shitoryu #karate #wskf #糸東会 #糸東流 #空手道 #糸東流空手 #空手
This technique uses the back of the bent wrist for both blocking and striking. The hand bends inward, with the pinky and ring fingers folded tightly and the thumb pressing against the middle and ring fingers, forming a strong arch in the wrist. The shape resembles holding chopsticks (Hashi). The key is to keep the hand tight and the wrist firm.
#kouke #kouchi #koken #martialarts #shitoryu #karate #wskf #糸東会 #糸東流 #空手道 #糸東流空手 #空手
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瞬発力 (shunpatsuryoku - Explosive power) で、一気に点Aから点Bへ動くことが大事で
In karate, acceleration must be immediate. Do not start slowing and then build up speed. From the moment you move from point A, you must drive straight to point B as fast as possible. The technique should not be a gradual acceleration, but an explosive burst, moving from point A to point B all at once. This direct acceleration gives your technique sharpness, power, and real effectiveness.
#jinsoku #speed #quickness #quickaction #martialarts #shitoryu #karate #wskf #糸東会 #糸東流 #空手道 #糸東流空手 #空手
In karate, acceleration must be immediate. Do not start slowing and then build up speed. From the moment you move from point A, you must drive straight to point B as fast as possible. The technique should not be a gradual acceleration, but an explosive burst, moving from point A to point B all at once. This direct acceleration gives your technique sharpness, power, and real effectiveness.
#jinsoku #speed #quickness #quickaction #martialarts #shitoryu #karate #wskf #糸東会 #糸東流 #空手道 #糸東流空手 #空手
Add the High-Frequency Vibration Bar to your karate training. It forces your body to stabilize under pressure. Hold still, build strength, apply it in karate.
#KarateTraining #DynamicKarate #VibrationBar #MartialArtsConditioning #IsometricStrength #糸東会 #糸東流 #空手道 #糸東流空手 #空手
#KarateTraining #DynamicKarate #VibrationBar #MartialArtsConditioning #IsometricStrength #糸東会 #糸東流 #空手道 #糸東流空手 #空手
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“4 Hip (using core) Actions in Karate ”
Part 2
Oshidashi (押し出し) – "Pushing" Drive the hips forward in a straight line.
#oshidashi #koshinooshidashi #shitoryu #karate #wskf #糸東会 #糸東流 #空手道 #糸東流空手 #空手
Part 2
Oshidashi (押し出し) – "Pushing" Drive the hips forward in a straight line.
#oshidashi #koshinooshidashi #shitoryu #karate #wskf #糸東会 #糸東流 #空手道 #糸東流空手 #空手
Seipai (十八) was a kata that Ryuso Kenwa Mabuni used as a teaching tool to explain deeper ideas in Karate.
He chose Seipai because it is compact yet holds the core methods of Naha-te. It shows a well-structured set of hand-to-hand techniques and serves as a model for understanding kata principles, Bubishi teachings, and practical applications (bunkai).
十八(セイパイ)は、糸東流開祖・摩文仁賢和が空手の深い理論を説明するために用いた教授用の形である。
摩文仁賢和は、セイパイがコンパクトでありながら那覇手の核心的な技法を含んでいるため、この形を選んだ。手技の体系化された構成を示し、形の原理、武備志の教え、そして実際の応用(分解)を理解するための手本となっている。
#seipai #十八 #nahate #kenwamabuni #摩文仁賢和 #shitoryu #karate #wskf #糸東会 #糸東流 #空手道 #糸東流空手 #空手
He chose Seipai because it is compact yet holds the core methods of Naha-te. It shows a well-structured set of hand-to-hand techniques and serves as a model for understanding kata principles, Bubishi teachings, and practical applications (bunkai).
十八(セイパイ)は、糸東流開祖・摩文仁賢和が空手の深い理論を説明するために用いた教授用の形である。
摩文仁賢和は、セイパイがコンパクトでありながら那覇手の核心的な技法を含んでいるため、この形を選んだ。手技の体系化された構成を示し、形の原理、武備志の教え、そして実際の応用(分解)を理解するための手本となっている。
#seipai #十八 #nahate #kenwamabuni #摩文仁賢和 #shitoryu #karate #wskf #糸東会 #糸東流 #空手道 #糸東流空手 #空手
“4 Hip (using core) Actions in Karate ” 空手における4つの腰の動作
» Koshi no Kaiten (回転) – Rotate the hips to create torque.
» Koshi no Oshidashi (押し出し) – "Pushing" Drive the hips forward in a straight line.
» Koshi no Shindō (振動) – "Vibration" Snap the hips sharply at impact.
» Koshi o ireru (腰を入れる) – "Tilting in" Tuck the pelvis to lock posture and stabilize power.
#oshidashi #shindo #koshioireru #kaiten #koshinokaiten #hiprotation #shitoryu #karate #wskf #糸東会 #糸東流 #空手道 #糸東流空手 #空手
» Koshi no Kaiten (回転) – Rotate the hips to create torque.
» Koshi no Oshidashi (押し出し) – "Pushing" Drive the hips forward in a straight line.
» Koshi no Shindō (振動) – "Vibration" Snap the hips sharply at impact.
» Koshi o ireru (腰を入れる) – "Tilting in" Tuck the pelvis to lock posture and stabilize power.
#oshidashi #shindo #koshioireru #kaiten #koshinokaiten #hiprotation #shitoryu #karate #wskf #糸東会 #糸東流 #空手道 #糸東流空手 #空手
Kenwa Mabuni (摩文仁 賢和, Mabuni Kenwa, 14 November 1889 - 23 May 1952) was one of the first karateka to teach karate in mainland Japan and is credited as developing the style known as Shitō-ryū. Mabuni chose Shito-ryu, the first characters of the names Itosu and Higaonna, his two primary teachers of Shuri-Te and Naha-Te.
#shitoryu #shitokai #kenwamabuni #worldshitoryu #wskf #jkfshitokai #糸東流 #空手道
#shitoryu #shitokai #kenwamabuni #worldshitoryu #wskf #jkfshitokai #糸東流 #空手道