DEEP DIVES
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Deep Dive down the Rabbit Holes. Interactive channel for discussion of intel-past and present, Trump Comms, and The Q Key and maps.
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Not only did Zapruder’s heirs get $16 million for the film, they were allowed to keep the copyright, and all of the legal control over use of the film’s images that came with the copyright.

Can you believe this??!!!
WHY?????
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By
The
Way…
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Forwarded from DEEP DIVES
ABRAHAM
ZAPRUDER

WAS
A 33rd degree SCOTTISH RITE FREEMASON!!
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Forwarded from DEEP DIVES
Abraham Zapruder was from the UKRAINE!!
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Forwarded from DEEP DIVES
ABRAHAM ZAPRUDER wasn’t a photographer!! He was a DRESSMAKER.

His “Jennifer Juniors” offices were on the fourth floor of the Dal-Tex Building, across the street from the Texas School Book Depository.

The Book Depository is where we were told Lee Harvey Oswald was when HE shot JFK.

COINCIDENCE???!!!
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So what was actually going on in secret with the Zapruder film at NPIC in Washington DC the weekend after the assassination?
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There were two distinct events that unfolded in Washington DC…surrounding the Zapruder film in secret. This occurred the weekend after the assassination.

One event involved
1. Homer McMahon-head of the NPIC color lab
2. Morgan Bennett (Ben) Hunter
…Homer’s assistant.

They had to make photographic enlargements from individual frames of the Zapruder film.

The purpose of this activity was to support the creation of “briefing boards” that would be assembled by others at NPIC, using the color prints they made, for purposes and audiences unknown. 
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By the way JFK was assassinated on Friday November 22, 1963.

These events occurred 1-2 days following…
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McMahon and Hunter were involved with making enlargements and blowup prints…from individual frames of the Zapruder film…which were then mounted on briefing boards. 
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Then there was a different event that involved DINO BRUGIONI.

Brugioni was the
Chief Information Officer at NPIC for about 25 years.
He was known as the “Briefing Board Czar.”

Brugioni presided over a distinctly different “briefing board event” than McMahon and Hunter…at NPIC the weekend following the assassination.

Brugioni ALSO used a distinctly different Zapruder film than McMahon.
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Brugiioni’s crew was entirely different than McMahon’s.

The numbers of enlargements that were made by Brugioni…differed significantly than McMahon’s.

The number of briefing boards made by Brugioni was different than McMahon’s.

The format of the briefing boards made at Brugioni’s event was distinctly different than McMahon’s.

Most significantly…
the format of the Zapruder film delivered at Brugioni’s NPIC event was DISTINCTLY DIFFERENT than the format of the Zapruder film that was delivered at McMahon’s NPIC event!!
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Hang with me…you will soon understand what was going on.
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Yet each man believed, without any doubt, that he was working with the original Zapruder film.

Brugioni’s event occurred only one day apart from McMahon’s.
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At the time, back in 1963, both McMahon and Brugioni were each led to believe they were working with the “original film,” but clearly, only one of them could have been. 

Brugioni was working with the real film. Saturday.

McMahon was working with the altered film. Sunday.
☝️he
didn’t know it wasn’t the original.
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This is how the CIA rolls.
The operation was “compartmentalized.”

Neither group was aware of the other group’s activity that weekend.

The CIA does this so that only a few know what is really going on.
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Back to Abraham Zapruder,..
Saturday, November 23rd:

Abraham Zapruder struck a deal with Richard Stolley to sell the original Zapruder film to LIFE MAGAZINE for $50,000.00,

He gave the rights to the assassination movie…but not motion picture rights.
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Zapruder immediately relinquished the camera-original film to LIFE for a six day period…and kept the one remaining “same day copy.” 

By the terms of this initial contract with LIFE, Zapruder was to have the original film returned to him by LIFE on November 29th.

In exchange, he was then to give LIFE the remaining first day copy.
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Sunday, November 24th:

On Sunday evening, LIFE approached Abraham Zapruder on the phone and requested that they meet to negotiate LIFE’s acquisition of additional rights to the film. 

Something” had happened that caused the magazine to seek all rights to the film, including motion picture rights, and outright ownership of both the original film, and all copies!!!
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