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On this day, 29 October 2000, 14-year-old Palestinian Faris Odeh stood alone in front of an Israel Defense Forces tank in Gaza and threw a stone at it, during the second intifada against Israeli occupationAssociated Press photographer Laurent Rebours took an iconic photo of this "David and Goliath" moment.Odeh had begun skipping school in order to throw stones at Israeli tanks, despite his parents doing everything they could to try to stop him: locking him in his room, beating him, and even tying him up.Because of these punishments, he tried to avoid being photographed. His mother, Anam Odeh, later recalled:"he was afraid that if he was filmed on TV his father would see him, so he'd run away from the cameras. One day, after I'd gone and dragged him away from the clashes every day for a week, I told him: 'Okay, you want to throw stones? Fine. But at least hide behind something! Why do you have to be at the very front, even farther up than the older kids?' And he said, 'I'm not afraid.' "Ten days later, on 8 November, Odeh was again throwing stones at the Karni crossing when he was shot in the neck by Israeli troops. Soldiers left him to bleed on the ground, as he was so close to the tank that his friends could not retrieve his body until an hour later. He was pronounced dead on arrival at hospital.Of the photograph, his mother reports:"When I see his picture my heart is torn to pieces… I guess I feel proud for him being called a hero, standing in front of a tank and all that. But when I see his classmates come around after school, all I can do is cry."
Working Class History
@Communism
On this day, 29 October 2000, 14-year-old Palestinian Faris Odeh stood alone in front of an Israel Defense Forces tank in Gaza and threw a stone at it, during the second intifada against Israeli occupationAssociated Press photographer Laurent Rebours took an iconic photo of this "David and Goliath" moment.Odeh had begun skipping school in order to throw stones at Israeli tanks, despite his parents doing everything they could to try to stop him: locking him in his room, beating him, and even tying him up.Because of these punishments, he tried to avoid being photographed. His mother, Anam Odeh, later recalled:"he was afraid that if he was filmed on TV his father would see him, so he'd run away from the cameras. One day, after I'd gone and dragged him away from the clashes every day for a week, I told him: 'Okay, you want to throw stones? Fine. But at least hide behind something! Why do you have to be at the very front, even farther up than the older kids?' And he said, 'I'm not afraid.' "Ten days later, on 8 November, Odeh was again throwing stones at the Karni crossing when he was shot in the neck by Israeli troops. Soldiers left him to bleed on the ground, as he was so close to the tank that his friends could not retrieve his body until an hour later. He was pronounced dead on arrival at hospital.Of the photograph, his mother reports:"When I see his picture my heart is torn to pieces… I guess I feel proud for him being called a hero, standing in front of a tank and all that. But when I see his classmates come around after school, all I can do is cry."
Working Class History
#FreePalestine #History
@Communism
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Image: Charles Zimmerman speaks at a civil rights rally in the New York Garment District on 38th Street near 7th Avenue in New York City. Signs include ‘Labor Opposes Discrimination’ May 17, 1960” by Kheel Center, Cornell University Library via Flickr.
🔴 Does Race Serve a Functional Role Under Capitalism?
✍🏻 By Michael Billeaux Martinez
The relationship between capitalism and racism is structural rather than merely historical. It is not just that capitalism emerged in an already-racialized context, and so developed in a racialized way. It is also that racism can be explained by its functional role in stabilizing capitalist class relations. This view has occasionally been described as "class reductionist." In our view, this does not itself amount to a fatal criticism, but it does associate our argument with others that we in fact reject.
Read more
#Article #Antiracist #Race #Capitalism
@Communism
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'On the Patriotic War' (Russian #poster by Vladimir Vinogradov and Ia. Nikolaev/ Iskusstvo, Moscow-Leningrad. Depicting men of different generations in the ranks. Soviet Union, 1941).
@Communism
@Communism
🔥8
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Shocking footage reveals the aftermath of the Israeli massacre at dawn today in Beit Lahia, in the northern Gaza Strip. Current reports count over 100 dead, with dozens more missing—the tally marks one of the deadliest single attacks as of late. For nearly a month, northern Gaza has endured Israel’s heaviest siege since the invasion began, with over 1,000 recorded dead, though the true number is likely far higher.
theredstream
theredstream
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What caused the war? The greed of the Italian money bags and capitalists, who need new markets and new achievements for Italian imperialism. What kind of war was it? A perfected, civilised blood bath, the massacre of Arabs with the help of the latest weapons.
V. I. Lenin
The End of the Italo-Turkish War
@Communism
V. I. Lenin
The End of the Italo-Turkish War
#War #Lenin
@Communism
🔥10👍4
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Cobalt mining in Congo. For the electric cars and iPhones.
Posted by Tabook
@Communists
"Accumulation of wealth at one pole is, therefore, at the same time accumulation of misery, agony of toil slavery, ignorance, brutality, mental degradation, at the opposite pole, i.e., on the side of the class that produces its own product in the form of capital."
Karl Marx
Capital volume 1
Posted by Tabook
@Communists
👍9
American "civilization" in Korea - Soviet #poster by Kukryniksy creative team, 1952.
The text below reads:
The Dulles and the Harrimans make money from human blood.
Ringing dollars flow like a river into the pockets of greedy bankers. The vampire and the banker feed on blood.
Citizens of the world, fight for peace! Let the gang of murderers leave Korea as soon as possible!
@Communism
The text below reads:
The Dulles and the Harrimans make money from human blood.
Ringing dollars flow like a river into the pockets of greedy bankers. The vampire and the banker feed on blood.
Citizens of the world, fight for peace! Let the gang of murderers leave Korea as soon as possible!
@Communism
❤7👍2
Vladimir Mayakovsky 1929
Conversation
with Comrade Lenin
Awhirl with events,
packed with jobs one too many,
the day slowly sinks
as the night shadows fall.
There are two in the room:
I
and Lenin—
a photograph
on the whiteness of wall.
The stubble slides upward
above his lip
as his mouth
jerks open in speech.
The tense
creases of brow
hold thought
in their grip,
immense brow
matched by thought immense.
A forest of flags,
raised-up hands thick as grass...
Thousands are marching
beneath him...
Transported,
alight with joy,
I rise from my place,
eager to see him,
hail him,
report to him!
“Comrade Lenin,
I report to you —
(not a dictate of office,
the heart’s prompting alone)
This hellish work
that we’re out to do
will be done
and is already being done.
We feed and we clothe
and give light to the needy,
the quotas
for coal
and for iron
fulfill,
but there is
any amount
of bleeding
muck
and rubbish
around us still.
Without you,
there’s many
have got out of hand,
all the sparring
and squabbling
does one in.
There’s scum
in plenty
hounding our land,
outside the borders
and also
within.
Try to
count ’em
and
tab ’em —
it’s no go,
there’s all kinds,
and they’re
thick as nettles:
kulaks,
red tapists,
and,
down the row,
drunkards,
sectarians,
lickspittles.
They strut around
proudly
as peacocks,
badges and fountain pens
studding their chests.
We’ll lick the lot of ’em—
but
to lick ’em
is no easy job
at the very best.
On snow-covered lands
and on stubbly fields,
in smoky plants
and on factory sites,
with you in our hearts,
Comrade Lenin,
we build,
we think,
we breathe,
we live,
and we fight!”
Awhirl with events,
packed with jobs one too many,
the day slowly sinks
as the night shadows fall.
There are two in the room:
I
and Lenin —
a photograph
on the whiteness of wall.
@Communism
Conversation
with Comrade Lenin
Awhirl with events,
packed with jobs one too many,
the day slowly sinks
as the night shadows fall.
There are two in the room:
I
and Lenin—
a photograph
on the whiteness of wall.
The stubble slides upward
above his lip
as his mouth
jerks open in speech.
The tense
creases of brow
hold thought
in their grip,
immense brow
matched by thought immense.
A forest of flags,
raised-up hands thick as grass...
Thousands are marching
beneath him...
Transported,
alight with joy,
I rise from my place,
eager to see him,
hail him,
report to him!
“Comrade Lenin,
I report to you —
(not a dictate of office,
the heart’s prompting alone)
This hellish work
that we’re out to do
will be done
and is already being done.
We feed and we clothe
and give light to the needy,
the quotas
for coal
and for iron
fulfill,
but there is
any amount
of bleeding
muck
and rubbish
around us still.
Without you,
there’s many
have got out of hand,
all the sparring
and squabbling
does one in.
There’s scum
in plenty
hounding our land,
outside the borders
and also
within.
Try to
count ’em
and
tab ’em —
it’s no go,
there’s all kinds,
and they’re
thick as nettles:
kulaks,
red tapists,
and,
down the row,
drunkards,
sectarians,
lickspittles.
They strut around
proudly
as peacocks,
badges and fountain pens
studding their chests.
We’ll lick the lot of ’em—
but
to lick ’em
is no easy job
at the very best.
On snow-covered lands
and on stubbly fields,
in smoky plants
and on factory sites,
with you in our hearts,
Comrade Lenin,
we build,
we think,
we breathe,
we live,
and we fight!”
Awhirl with events,
packed with jobs one too many,
the day slowly sinks
as the night shadows fall.
There are two in the room:
I
and Lenin —
a photograph
on the whiteness of wall.
#Mayakovsky #Poet #Poem #Art #Lenin
@Communism
👍7🔥3
Happy Birthday to Alí Primera! Venezuelan musical icon and Communist Party member. He has provided the soundtrack for the country’s revolutionary movements spanning decades.
theredstream
@Communism
theredstream
#AlíPrimera
@Communism
👍9❤3
Audio
Ali Primera - Techos de Carton
Qué triste, se oye la lluvia
En los techos de cartón
Qué triste vive mi gente
En las casas de cartón
Viene bajando el obrero
Casi arrastrando los pasos
Por el peso del sufrir
¡Mira que es mucho el sufrir!
¡Mira que pesa el sufrir!
Arriba, deja la mujer preñada
Abajo está la ciudad
Y se pierde en su maraña
Hoy es lo mismo que ayer
Es su vida sin mañana
Ahí cae la lluvia
Viene, viene el sufrimiento
Pero si la lluvia pasa
¿Cuándo pasa el sufrimiento?
¿Cuándo viene la esperanza?
Niños color de mi tierra
Con sus mismas cicatrices
Millonarios de lombrices
Y, por eso:
Qué tristes viven los niños
En las casas de cartón
Qué alegres viven los perros
Casa del explotador
Usted no lo va a creer
Pero hay escuelas de perros
Y les dan educación
Pa que no muerdan los diarios
Pero el patrón
Hace años, muchos años
Que está mordiendo al obrero
Qué triste se oye la lluvia
En las casas de cartón
Qué lejos pasa la esperanza
En los techos de cartón
@Communism
Qué triste, se oye la lluvia
En los techos de cartón
Qué triste vive mi gente
En las casas de cartón
Viene bajando el obrero
Casi arrastrando los pasos
Por el peso del sufrir
¡Mira que es mucho el sufrir!
¡Mira que pesa el sufrir!
Arriba, deja la mujer preñada
Abajo está la ciudad
Y se pierde en su maraña
Hoy es lo mismo que ayer
Es su vida sin mañana
Ahí cae la lluvia
Viene, viene el sufrimiento
Pero si la lluvia pasa
¿Cuándo pasa el sufrimiento?
¿Cuándo viene la esperanza?
Niños color de mi tierra
Con sus mismas cicatrices
Millonarios de lombrices
Y, por eso:
Qué tristes viven los niños
En las casas de cartón
Qué alegres viven los perros
Casa del explotador
Usted no lo va a creer
Pero hay escuelas de perros
Y les dan educación
Pa que no muerdan los diarios
Pero el patrón
Hace años, muchos años
Que está mordiendo al obrero
Qué triste se oye la lluvia
En las casas de cartón
Qué lejos pasa la esperanza
En los techos de cartón
#Music #MP3 #AliPrimera
@Communism
👍4
What, however, is the domination of the capitalist class over the entire mass of working folk based on? It is based on the fact that all the factories, mills, mines, machines, and instruments of labour are in the hands of the capitalists, are their private property; on the fact that they possess enormous quantities of land (of all the land in European Russia, more than one-third belongs to landed proprietors, who do not number half a million). The workers possess no instruments of labour or materials, and so they have to sell their labour-power to the capitalists, who only pay the workers what is necessary for their keep, and place all the surplus produced by labour in their pockets; thus they pay for only part of the working time they use, and appropriate the rest. The entire increase in wealth resulting from the combined labour of the masses of workers or from improvements in production goes to the capitalist class, while the workers, who toil from generation to generation, remain propertyless proletarians. That is why there is only one way of ending the exploitation of labour by capital, and that is to abolish the private ownership of the instruments of labour, to hand over all the factories, mills, mines, and also all the big estates, etc., to the whole of society and to conduct socialist production in common, directed by the workers themselves. The articles produced by labour in common will then go to benefit the working people themselves, while the surplus they produce over and above their keep will serve to satisfy the needs of the workers themselves, to secure the full development of all their capabilities and equal rights to enjoy all the achievements of science and art. That is why the programme states that the struggle between the working class and the capitalists can end only in this way. To achieve that, however, it is necessary that political power, i.e., the power to govern the state, should pass from the hands of a government which is under the influence of the capitalists and landowners, or from the hands of a government directly made up of elected representatives of the capitalists, into the hands of the working class.
Such is the ultimate aim of the struggle of the working class, such is the condition for its complete emancipation.
Vladimir Ilyich Lenin
Draft and Explanation of a Programme for the Social-Democratic Party
@Communism
Such is the ultimate aim of the struggle of the working class, such is the condition for its complete emancipation.
Vladimir Ilyich Lenin
Draft and Explanation of a Programme for the Social-Democratic Party
#Lenin
@Communism
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'Brothers of the Slavs! - All to fight against a common enemy - Fascism!' (Russian #poster by V. Inozemtsev/ Vladivostok lithograph No. 1. Soviet Union, 1941).
@Communism
@Communism
👍7❤1
'To protect the power of the workers and peasants, we need a powerful Red Army' (Russian #poster by Eduard Artsrunyan/ Izdatel'stvo Plakat, Moscow. Soviet Union, 1977).
@Communism
@Communism
❤7
'Mannerheim - He is concerned about the distant spine of the Urals, but his own spine was bent and broken' (Russian #postcard by Vladimir Gal'ba/ Iskusstvo, Moscow. As part of the series 'Fascist guard dogs'. Soviet Union, 1943).
@Communism
@Communism
👍8
"Lenin and Children. Winter" ("Ленин и дети. Зима") - #Painting by Ivan Tarasovich Klets (Иван Тарасович Клец), 1980.
@Communism
@Communism
❤12
The first contradiction is the contradiction between labour and capital. Imperialism is the omnipotence of the monopolist trusts and syndicates, of the banks and the financial oligarchy, in the industrial countries. In the fight against this omnipotence, the customary methods of the working class-trade unions and cooperatives, parliamentary parties and the parliamentary struggle-have proved to be totally inadequate. Either place yourself at the mercy of capital, eke out a wretched existence as of old and sink lower and lower, or adopt a new weapon-this is the alternative imperialism puts before the vast masses of the proletariat. Imperialism brings the working class to revolution.
Joseph Stalin
The Foundations of Leninism
@Communism
Joseph Stalin
The Foundations of Leninism
#Stalin
@Communism
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