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Chivalry at its absolute core is about using overwhelming strength to protect the vulnerable and to fight against monstrous, corrupt power.

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++ LEGIO CVSTODES SHIELD CAPTAIN ++

Daniel Batista
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Forwarded from ๐•ฌ๐–“๐–“๐–œ๐–ž๐–“ (แ›แšฑแ›–แšพแ›โ€ขแšบ)
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Rohirrim arriving at Minas Tirith

Antonio de Luca
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"I go to my fathers. And even in their mighty company I shall not now be ashamed."

The Death of Theoden

J.G. Jones
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๐Ÿ•ฏ๐•ฎ๐–๐–Ž๐–›๐–†๐–‘๐–—๐–žโ™ฑ๐•ฎ๐–”๐–—๐–Š๐Ÿ•ฏ
Photo
Armourphotographer:

In the 1530s, Italian armor fashion favored a more graceful style, differing even more significantly from the Quattrocento style, which had still considerably influenced the style of the early 16th century. At the center of this image, surrounded by an impressive number of other interesting suits of armor, is a suit of armor featuring main characteristics of this new style, although it may be composite. Pictures made at @museearmee_invalides Paris.
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Photo
Armourphotographer:

This elegant armor was made around 1485/90 by the Innsbruck armorer Jรถrg Treytz (mentioned 1466-1499) for the later Emperor Maximilian I (1459-1519) to be used in the joust of war which was called the โ€œRennenโ€œ. During that kind of hastilude two opponents, equipped with sharp lances, were riding towards each other without being separated by a barrier and the aim was to hit a kind of shield like leather bag that was attached to the armor. This leather and fabric covered target was called the โ€œRenntartscheโ€. At the end of the 15th century the armor used for this competition was being relatively standardized. For example a special version of the sallet called โ€œRennhutโ€œ was in use as part of the typical suit of armor for the โ€œRennenโ€œ jousting. The armor is preserved as part of the @kunsthistorischesmuseumvienna (Inv: R I) collection and is on display at @weltmuseumwien mounted to a figurine that also reconstructs an impressive fabric covering like they were used with such armor during the knightly festivals.
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