MATéRICA
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MATéRICA unfolds as an inquiry into matter understood not as a support, but as a subject in itself. The sculptures do not depict stone; they operate as mineral bodies, formed through accumulation, pressure, and transformation. Ceramic functions here as a field of negotiation between control and material agency, where fire is not a technique but a deciding force.The surface becomes a site of material inscription. Glazes reveal real processes: fusion, gravity, oxidation, generating tonal variations that arise not from compositional intent but from the internal logic of matter itself. There is no uniform finish, no decorative gesture; every difference is consequential.Creams, mineral greys, and dense browns emerge as states of material rather than symbolic color. Fine, discontinuous black and white traces cross the volumes as residual actions, bearing the fragility of the hand and the resistance of the body. They do not describe; they testify.
https://www.behance.net/gallery/242557615/MATRICA
Media
MATéRICA unfolds as an inquiry into matter understood not as a support, but as a subject in itself. The sculptures do not depict stone; they operate as mineral bodies, formed through accumulation, pressure, and transformation. Ceramic functions here as a field of negotiation between control and material agency, where fire is not a technique but a deciding force.The surface becomes a site of material inscription. Glazes reveal real processes: fusion, gravity, oxidation, generating tonal variations that arise not from compositional intent but from the internal logic of matter itself. There is no uniform finish, no decorative gesture; every difference is consequential.Creams, mineral greys, and dense browns emerge as states of material rather than symbolic color. Fine, discontinuous black and white traces cross the volumes as residual actions, bearing the fragility of the hand and the resistance of the body. They do not describe; they testify.
https://www.behance.net/gallery/242557615/MATRICA
23rd Golden Drawing Pin Award & Exhibition (2026)
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A typographic identity for the 23rd Arany Rajzszög Award & Exhibition, Hungary's largest annual graphic design event.Built as a non-dominant system: it marks and organizes the event while keeping the work in front, yet remains unapologetically characterful.
https://www.behance.net/gallery/242611649/23rd-Golden-Drawing-Pin-Award-Exhibition-%282026%29
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A typographic identity for the 23rd Arany Rajzszög Award & Exhibition, Hungary's largest annual graphic design event.Built as a non-dominant system: it marks and organizes the event while keeping the work in front, yet remains unapologetically characterful.
https://www.behance.net/gallery/242611649/23rd-Golden-Drawing-Pin-Award-Exhibition-%282026%29
Messolonghi Lagoon - Salt Pans
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https://www.behance.net/gallery/207319533/Messolonghi-Lagoon-Salt-Pans
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https://www.behance.net/gallery/207319533/Messolonghi-Lagoon-Salt-Pans
Haglöfs
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The story of Haglöfs is one of genuine craftsmanship, attention to detail, and attending to the needs of people who spend most of their time outdoors. It all started with Wiktor Haglöf in 1914. In times of hard work in the forests of Dalarna, equipment was often carried long distances and inspired by the needs he faced, the first Haglöfs backpack was produced. Within 20 years, they went from that first backpack to innovating and producing a full range of outdoor equipment. and since 1914, Haglöfs has been all about this uncompromising dedication to life outdoors.Haglöfs approached SDL to craft a distinct and forward-looking brand purpose alongside a refreshed brand platform. This included redefining their visual identity to honor the brand's rich heritage while projecting a bold vision for the future. The project is ongoing, in close collaboration with the Haglöfs brand team, with exciting touchpoints set to launch over the next year. From reimagined retail and digital experiences to
https://www.behance.net/gallery/241422219/Hagloefs
Media
The story of Haglöfs is one of genuine craftsmanship, attention to detail, and attending to the needs of people who spend most of their time outdoors. It all started with Wiktor Haglöf in 1914. In times of hard work in the forests of Dalarna, equipment was often carried long distances and inspired by the needs he faced, the first Haglöfs backpack was produced. Within 20 years, they went from that first backpack to innovating and producing a full range of outdoor equipment. and since 1914, Haglöfs has been all about this uncompromising dedication to life outdoors.Haglöfs approached SDL to craft a distinct and forward-looking brand purpose alongside a refreshed brand platform. This included redefining their visual identity to honor the brand's rich heritage while projecting a bold vision for the future. The project is ongoing, in close collaboration with the Haglöfs brand team, with exciting touchpoints set to launch over the next year. From reimagined retail and digital experiences to
https://www.behance.net/gallery/241422219/Hagloefs
magazine for hair salons Winter & Autumn issue.
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https://www.behance.net/gallery/243054173/magazine-for-hair-salons-Winter-Autumn-issue
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https://www.behance.net/gallery/243054173/magazine-for-hair-salons-Winter-Autumn-issue
Q.Bridge - Brand Identity
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In the quantum world, nothing exists in isolation. Every fragment is part of a larger system.QBridge is a tech company operating at the intersection of quantum computing, AI, and high-impact real-world challenges ? such as drug discovery and sustainable energy. Their mission is to develop powerful algorithms that act as bridges between complex scientific theories and tangible applications.This visual identity project was crafted to reflect the essence of QBridge: a brand built on precision, intelligence, and future-forward solutions. Our goal was to visually translate the brand's core ? bridging quantum fragments into cohesive systems ? through a bold and elegant design system. Every element, from logo to typography, color palette to graphic support, was designed to communicate clarity, innovation, and the power of transformation through technology.Deliverables: Visual Identity, Motion Graphics & Brand Guidelines
https://www.behance.net/gallery/234911725/QBridge-Brand-Identity
Media
In the quantum world, nothing exists in isolation. Every fragment is part of a larger system.QBridge is a tech company operating at the intersection of quantum computing, AI, and high-impact real-world challenges ? such as drug discovery and sustainable energy. Their mission is to develop powerful algorithms that act as bridges between complex scientific theories and tangible applications.This visual identity project was crafted to reflect the essence of QBridge: a brand built on precision, intelligence, and future-forward solutions. Our goal was to visually translate the brand's core ? bridging quantum fragments into cohesive systems ? through a bold and elegant design system. Every element, from logo to typography, color palette to graphic support, was designed to communicate clarity, innovation, and the power of transformation through technology.Deliverables: Visual Identity, Motion Graphics & Brand Guidelines
https://www.behance.net/gallery/234911725/QBridge-Brand-Identity
Strangers on the subway
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A series of illustrations exploring the theme of loneliness in a crowd.This project is an experiment with techniques and textures created in Adobe Photoshop.The goal was to recreate the tactile feel of raw, physical materials within a CG environment.
https://www.behance.net/gallery/242394621/Strangers-on-the-subway
Media
A series of illustrations exploring the theme of loneliness in a crowd.This project is an experiment with techniques and textures created in Adobe Photoshop.The goal was to recreate the tactile feel of raw, physical materials within a CG environment.
https://www.behance.net/gallery/242394621/Strangers-on-the-subway
2026 Calendar: Retro Freight Commercial Illustration
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I am honored to have been commissioned by Morrison Express, a globally leading logistics enterprise, to create a series of illustrations for their 2026 brand desk calendar.Centered on the various stages and tools of the brand's cargo transportation, I produced 13 illustrations depicting key scenarios including air freight, sea freight, land transport, freight hubs, and warehousing. The illustrations feature the brand's signature corporate blue as the primary color palette and are rendered in a vintage style.
https://www.behance.net/gallery/242077007/2026-Calendar-Retro-Freight-Commercial-Illustration
Media
I am honored to have been commissioned by Morrison Express, a globally leading logistics enterprise, to create a series of illustrations for their 2026 brand desk calendar.Centered on the various stages and tools of the brand's cargo transportation, I produced 13 illustrations depicting key scenarios including air freight, sea freight, land transport, freight hubs, and warehousing. The illustrations feature the brand's signature corporate blue as the primary color palette and are rendered in a vintage style.
https://www.behance.net/gallery/242077007/2026-Calendar-Retro-Freight-Commercial-Illustration
Kid Lit Postcards 2025
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Personal illustrations done for #KidLitPostcard 2025
https://www.behance.net/gallery/242670965/Kid-Lit-Postcards-2025
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Personal illustrations done for #KidLitPostcard 2025
https://www.behance.net/gallery/242670965/Kid-Lit-Postcards-2025
McMichael
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Founded in 1952 by Robert and Signe McMichael, the McMichael Canadian Art Collection is synonymous with icons like the Group of Seven, Emily Carr, and Tom Thomson. Beyond this legacy lies a vibrant, evolving institution?home to contemporary and Indigenous art, groundbreaking exhibitions, and new scholarship, but despite this breadth, public perception remains rooted in the past. With a major expansion underway, BMD was tasked with creating a bold new brand identity and website to reposition McMichael as a dynamic cultural space?one that challenges ideas about Canada, art, and society.
https://www.behance.net/gallery/242723521/McMichael
Media
Founded in 1952 by Robert and Signe McMichael, the McMichael Canadian Art Collection is synonymous with icons like the Group of Seven, Emily Carr, and Tom Thomson. Beyond this legacy lies a vibrant, evolving institution?home to contemporary and Indigenous art, groundbreaking exhibitions, and new scholarship, but despite this breadth, public perception remains rooted in the past. With a major expansion underway, BMD was tasked with creating a bold new brand identity and website to reposition McMichael as a dynamic cultural space?one that challenges ideas about Canada, art, and society.
https://www.behance.net/gallery/242723521/McMichael
Illustrating Social Change
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Commissioned by KOSTAT, the national statistical office of Korea, this series of three illustrations was created for a public communication campaign addressing transportation in Seoul, digital training for older adults, and energy efficiency in housing.
https://www.behance.net/gallery/242908437/Illustrating-Social-Change
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Commissioned by KOSTAT, the national statistical office of Korea, this series of three illustrations was created for a public communication campaign addressing transportation in Seoul, digital training for older adults, and energy efficiency in housing.
https://www.behance.net/gallery/242908437/Illustrating-Social-Change
Grundtvigs Kirke
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Grundtvig's Church in Copenhagen stands as a quiet monument of expressionist church architecture. Designed by Peder Vilhelm Jensen-Klint and completed in 1940, the building is formed entirely from yellow Danish brick, translating Gothic verticality into a restrained, modern language where structure and surface become one.The west façade rises as a sculptural sequence of stepped gables, its rhythm continuing into the interior through pointed arches and soaring brick vaults. Space unfolds through repetition and proportion, guided by light that moves gently across textured surfaces. Ornament is absent; instead, material, scale, and craftsmanship define the atmosphere.This photographic series approaches the church as an architecture of stillness and measure, focusing on the interplay of light, brick, and form, and on the subtle tension between expressionist abstraction and sacred tradition.
https://www.behance.net/gallery/243140523/Grundtvigs-Kirke
Media
Grundtvig's Church in Copenhagen stands as a quiet monument of expressionist church architecture. Designed by Peder Vilhelm Jensen-Klint and completed in 1940, the building is formed entirely from yellow Danish brick, translating Gothic verticality into a restrained, modern language where structure and surface become one.The west façade rises as a sculptural sequence of stepped gables, its rhythm continuing into the interior through pointed arches and soaring brick vaults. Space unfolds through repetition and proportion, guided by light that moves gently across textured surfaces. Ornament is absent; instead, material, scale, and craftsmanship define the atmosphere.This photographic series approaches the church as an architecture of stillness and measure, focusing on the interplay of light, brick, and form, and on the subtle tension between expressionist abstraction and sacred tradition.
https://www.behance.net/gallery/243140523/Grundtvigs-Kirke
Where Home Lives. Personal Illustrations
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This is a curated selection of personal illustrations connected by a single theme ? home. Each piece explores this idea from a different perspective, touching on memory, longing, comfort, seasons, familiar places, and quiet moments of belonging. Together, they form a personal visual reflection on what home means beyond a physical place.
https://www.behance.net/gallery/242665949/Where-Home-Lives-Personal-Illustrations
Media
This is a curated selection of personal illustrations connected by a single theme ? home. Each piece explores this idea from a different perspective, touching on memory, longing, comfort, seasons, familiar places, and quiet moments of belonging. Together, they form a personal visual reflection on what home means beyond a physical place.
https://www.behance.net/gallery/242665949/Where-Home-Lives-Personal-Illustrations
Mercè 17
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The building located at number 17 Mercè Street was constructed in 1580. Situated in the heart of Barcelona, in the Gothic Quarter, it is a space rich in history that has hosted a wide variety of uses and lives over the centuries. Restored a few years ago by architect Ricardo Bofill, it has recently been put up for sale with the aim of creating a community of owners around an exclusive collection of nine premium apartments.The brand is built around the idea of the passage of time, experienced and accumulated by the building itself, which gives it its singular character. The different historical layers are visible both in its structure and in the restoration, where original elements coexist with contemporary interventions. It is precisely this dialogue between past and present that shapes the essence of the brand.Project Lead: Gerard CondalCreative Direction: Raimon MercadéGraphic Design: Raimon Mercadé, Roser Padrés and Anna MarquèsPhotography: Enric Badrinas
https://www.behance.net/gallery/243136581/Merce-17
Media
The building located at number 17 Mercè Street was constructed in 1580. Situated in the heart of Barcelona, in the Gothic Quarter, it is a space rich in history that has hosted a wide variety of uses and lives over the centuries. Restored a few years ago by architect Ricardo Bofill, it has recently been put up for sale with the aim of creating a community of owners around an exclusive collection of nine premium apartments.The brand is built around the idea of the passage of time, experienced and accumulated by the building itself, which gives it its singular character. The different historical layers are visible both in its structure and in the restoration, where original elements coexist with contemporary interventions. It is precisely this dialogue between past and present that shapes the essence of the brand.Project Lead: Gerard CondalCreative Direction: Raimon MercadéGraphic Design: Raimon Mercadé, Roser Padrés and Anna MarquèsPhotography: Enric Badrinas
https://www.behance.net/gallery/243136581/Merce-17
Paul Gallico | Jennie | Snowflake
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Illustrations for Paul Gallico's "Jennie" and "Snowflake" Published by Labirint Press Publishing, 2020/??????????? ??? ????? ???? ???????, ???????????? ???????? ?????, 2020. ?????? ????????
https://www.behance.net/gallery/241731497/Paul-Gallico-Jennie-Snowflake
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Illustrations for Paul Gallico's "Jennie" and "Snowflake" Published by Labirint Press Publishing, 2020/??????????? ??? ????? ???? ???????, ???????????? ???????? ?????, 2020. ?????? ????????
https://www.behance.net/gallery/241731497/Paul-Gallico-Jennie-Snowflake
