Forwarded from название придумать не забыть (St. Someone ᒈ)
В японском языке есть понятие "Мэцкей сутеми" - "взгляд человека, идущего на смерть", - принятое выражение озачающее именно "тотальную решимость идти до конца". По-сути, это готовность биться насмерть.
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Forwarded from AGDchan
В нашем обществе дикий дефицит справедливости. А ведь это не просто наша традиционная ценность, но едва ли не главная.
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Forwarded from AGDchan
Сегодня власть требует от народа защищать государство. Это можно понять и народ понимает. Но государство обязано со своей стороны защищать народ. И справедливость входит в эту защиту как важнейший нравственный элемент. То есть если государство будет нравственно нейтральным (так нет, а за деньги да), это равновесие, этот пакт с народом будет нарушен.
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Просто смешной видосик
Forwarded from A Forest Passage
🚨During her interview with Nick Land, Talk Tuah's Hailey Welch recently went viral with her rant on reterritorialising hyperstional cybergothic allegory within accelerationism.🚨
HW: "The tacit aim in the work of the CCRU was an attempt to find a place for human agency once the motor of transformation that drives modernity is understood to be inhuman and indeed indifferent to the human. The attempt to participate vicariously in its positive feedback loop by fictioning or even mimicking it can be understood as an answer to this dilemma. The conspicuous fact that, shunned by the mainstream of both the 'continental philosphy' and cultural studies disciplines which it hybridized, the Cyberculture material had more subterranean influence on musicians, artists, and fiction writers than on traditional forms of political theory or action, indicated how its stance proved more appropriable as an aesthetic than effective as a political force."
Land: "Wow."
HW: "The tacit aim in the work of the CCRU was an attempt to find a place for human agency once the motor of transformation that drives modernity is understood to be inhuman and indeed indifferent to the human. The attempt to participate vicariously in its positive feedback loop by fictioning or even mimicking it can be understood as an answer to this dilemma. The conspicuous fact that, shunned by the mainstream of both the 'continental philosphy' and cultural studies disciplines which it hybridized, the Cyberculture material had more subterranean influence on musicians, artists, and fiction writers than on traditional forms of political theory or action, indicated how its stance proved more appropriable as an aesthetic than effective as a political force."
Land: "Wow."
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