Forwarded from GREAT DEALS
https://amzn.to/4hPUrQ1
The Mythology Collection: 70+ Book Set | Indian Mythology, History & Folktales | Cultural Stories for Kids & Adults | Illustrated Comic Books | Amar Chitra Katha
₹4,775.00 incl. GST
M.R.P.: ₹7,299.00
Save: ₹2,524.00 (35%)
The Mythology Collection: 70+ Book Set | Indian Mythology, History & Folktales | Cultural Stories for Kids & Adults | Illustrated Comic Books | Amar Chitra Katha
₹4,775.00 incl. GST
M.R.P.: ₹7,299.00
Save: ₹2,524.00 (35%)
Amazon
The Great Indian Mythology Collection – 73 Comics Set | Timeless Stories of Epics, Deities & Legends | Ganesha, Krishna, Rama,…
The Complete Mythology Collection (Set of 73 Titles) (Amar Chitra Katha) is a collection of all the Amar Chitra Katha comics that have been released in the mythology genre. This set contains 71 volumes of the Amar Chitra Katha books, each of them featuring…
A treasure house of Facts
BEST telegram channel on Knowledge and facts
Join
https://t.me/joinchat/AAAAAESPKGzdDlNmPUOPgw
@knowledgeGenie
BEST telegram channel on Knowledge and facts
Join
https://t.me/joinchat/AAAAAESPKGzdDlNmPUOPgw
@knowledgeGenie
Telegram
Knowledge Genie
Storage of Knowlege with Facts and Fun with lots of Info
Sourced from varied channels of info.
Not responsible for the authenticity
Sourced from varied channels of info.
Not responsible for the authenticity
https://youtu.be/Vqka9XHflLs
Q :
Srikanth ....How to deal with Stock Market Crash?
Srikanth Matrubai :
Deal with Stock Market Crash the same way you would deal with a GOLD PRICE CRASH!!
#DontRetireRich
Q :
Srikanth ....How to deal with Stock Market Crash?
Srikanth Matrubai :
Deal with Stock Market Crash the same way you would deal with a GOLD PRICE CRASH!!
#DontRetireRich
Those who only praise the Eiffel Tower have probably not seen this temple.
Have a look 🙏
The 245 feet high great Murudeshwar temple is mentioned since the Ramayana period. Murudeshwar is a town located in Bhatkal tehsil of Uttara Kannada district in the Karnataka state of South India. 'Murudeshwar' is a name for Lord Shiva. The world's second tallest statue of Lord Shiva is situated here.
This town is situated on the coast of the Arabian Sea and is situated at a very beautiful and peaceful place on the shores of the Arabian Sea, 165 km away from Mangaluru. Murudeshwar Sagartat is one of the most beautiful beaches of Karnataka. It is doubly beneficial for tourists to come here, where on one hand they get to visit this religious place, on the other hand they also get to enjoy the natural beauty.
Murudeshwar is also a railway station on the Mangalore-Mumbai railway line.
There is a fort behind the Murudeshwar temple complex which dates back to the period of the Vijayanagara Empire.
Have a look 🙏
The 245 feet high great Murudeshwar temple is mentioned since the Ramayana period. Murudeshwar is a town located in Bhatkal tehsil of Uttara Kannada district in the Karnataka state of South India. 'Murudeshwar' is a name for Lord Shiva. The world's second tallest statue of Lord Shiva is situated here.
This town is situated on the coast of the Arabian Sea and is situated at a very beautiful and peaceful place on the shores of the Arabian Sea, 165 km away from Mangaluru. Murudeshwar Sagartat is one of the most beautiful beaches of Karnataka. It is doubly beneficial for tourists to come here, where on one hand they get to visit this religious place, on the other hand they also get to enjoy the natural beauty.
Murudeshwar is also a railway station on the Mangalore-Mumbai railway line.
There is a fort behind the Murudeshwar temple complex which dates back to the period of the Vijayanagara Empire.
https://t.me/+cty9s0PmVHNkZGJl
Get the latest on all the IPO & NFO
The Best IPO & Best NFO
The Grey Market Premiums
The expert opinion...
Interested in IPOs ?
Then join our group exclusively dedicated to IPOs
Get the latest on all the IPO & NFO
The Best IPO & Best NFO
The Grey Market Premiums
The expert opinion...
Interested in IPOs ?
Then join our group exclusively dedicated to IPOs
Telegram
IPOs & NFOs Only
IPO details for Wealth Creation
Shared here purely for educational and information purposes
Shared here purely for educational and information purposes
🙏🔯🔱🔔🕉KALIYUGAVARADHAN sharanam AyyAppA
Climbing the Eighteenth Step for Direct Darshan...
*New arrangements have begun at Sabarimala, allowing pilgrims to have darshan directly after climbing the eighteenth step without using the flyover. Pilgrims can now proceed to the Balikalpura through both sides of the flagpole and have a clear view of the deity. To facilitate this, the platforms of varying heights previously placed in front of the sopanam (sacred steps) have been completely removed.*
*Construction work has started to set up a new platform leading from the eastern porch door to the sopanam, with two separate queues for pilgrims. A protective covering will be installed to prevent direct contact with the balikallu (sacrificial stone). This new arrangement allows pilgrims to enter through the eastern entrance and begin their darshan immediately. Special railings will be constructed to separate the two lines.*
*On average, around 80 pilgrims climb the eighteenth step every minute. The new queue system,🙏🔯🕉🔔🔱 🙏🔯🔱🔔🕉சுவாமி சரணம்
விரதம் இருந்து இருமுடி ஏந்தி பதினெட்டாம்படி ஏறி ஐயனை காண வரும் பக்தர்களுக்கு கொடிமரம் முன் மண்டபம் வழியாக நேராக சென்று தரிசனம் செய்வதற்கான பணிகள் துவங்கப்பட்டது, வருகின்ற மார்ச் 10ஆம் தேதிக்குள் பணிகள் நிறைவடைய முடிவு செய்யப்பட்டுள்ளது.🙏🏻🔯🔱🔔🕉🙏🏻🙏🏻
Climbing the Eighteenth Step for Direct Darshan...
*New arrangements have begun at Sabarimala, allowing pilgrims to have darshan directly after climbing the eighteenth step without using the flyover. Pilgrims can now proceed to the Balikalpura through both sides of the flagpole and have a clear view of the deity. To facilitate this, the platforms of varying heights previously placed in front of the sopanam (sacred steps) have been completely removed.*
*Construction work has started to set up a new platform leading from the eastern porch door to the sopanam, with two separate queues for pilgrims. A protective covering will be installed to prevent direct contact with the balikallu (sacrificial stone). This new arrangement allows pilgrims to enter through the eastern entrance and begin their darshan immediately. Special railings will be constructed to separate the two lines.*
*On average, around 80 pilgrims climb the eighteenth step every minute. The new queue system,🙏🔯🕉🔔🔱 🙏🔯🔱🔔🕉சுவாமி சரணம்
விரதம் இருந்து இருமுடி ஏந்தி பதினெட்டாம்படி ஏறி ஐயனை காண வரும் பக்தர்களுக்கு கொடிமரம் முன் மண்டபம் வழியாக நேராக சென்று தரிசனம் செய்வதற்கான பணிகள் துவங்கப்பட்டது, வருகின்ற மார்ச் 10ஆம் தேதிக்குள் பணிகள் நிறைவடைய முடிவு செய்யப்பட்டுள்ளது.🙏🏻🔯🔱🔔🕉🙏🏻🙏🏻
https://t.me/joinchat/AAAAAFbeUyBHCnr4YRgmOg
News, tips, guide on INSURANCE from Experts across India
News, tips, guide on INSURANCE from Experts across India
Telegram
INSURANCE FRIEND
News, views, info, analysis & more from the INSURANCE World to help you PROTECT
All posts here is purely for Information Purposes.
Strongly encourage you to contact your Financial Advisor before taking any decision
All posts here is purely for Information Purposes.
Strongly encourage you to contact your Financial Advisor before taking any decision
Forwarded from TRAVEL PLANET
Swarnagiri Sri Venkateswara Swamy Devasthanam | Yadadri Tirumala Devasthanam
📍 | Bhuvanagiri, Hyderabad
📍 | Bhuvanagiri, Hyderabad
https://youtu.be/E7l77fWQ2uE
Can your finances withstand the unexpected? Sunita Williams and Barry Wilmore faced 286 days of uncertainty in space. Just like them, you need a solid financial plan to navigate life's crises. Read on to build yours....
Can your finances withstand the unexpected? Sunita Williams and Barry Wilmore faced 286 days of uncertainty in space. Just like them, you need a solid financial plan to navigate life's crises. Read on to build yours....
I read this review of Empuran and was shocked. Copying and pasting. *The Day My Heart Broke at the Theatre*
I’ve always called myself a hardcore *@Mohanlal* fan. Not just a fan—an admirer, a worshipper of his art, his screen presence, his humility. His films have been my escape, my joy, and my pride as a Malayali and as a Hindu. So naturally, March 27th was a date I had circled in my heart—the day Empuraan would hit the theatres.
I walked into the hall with excitement coursing through my veins, just like every other time a Mohanlal film released. The lights dimmed. The familiar rush of anticipation filled the air. I leaned back in my seat, ready to be enthralled.
But what followed in the next fifteen minutes shattered me.
The film begins with a disclaimer: “All characters and incidents are fictional.” But then comes a scene from 2002—a Muslim village being burned down. Amid the chaos, a little Muslim boy crying out for his father is brutally beaten to death by a Hindu man. I sat frozen. My heart pounded, not with thrill, but with confusion.
The scene changes. Some of the Muslim villagers, terrified and bloodied, seek shelter in a Hindu home. But instead of compassion, they’re met with horror. Hindu men, supposedly their saviors, turn into beasts. And in the most gut-wrenching moment, a Hindu man is shown raping a pregnant Muslim woman.
I felt sick. Not because the scene was intense, but because of what it was trying to say. Why? Why this portrayal? Why this narrative?
As the film progresses, the attack isn’t just on individuals—it’s on ideals. A major political party merging with a pro-Hindu one is depicted as a catastrophe, a threat to Kerala’s culture and ethos. The villain from this so-called pro-Hindu party declares that Kerala’s 600 km coastline could be used for smuggling drugs and psychotropic substances.
What was @PrithviOfficial trying to prove? And more painfully, why was @Mohanlal a part of this conspiracy?
This isn’t just creative liberty. This feels like an ideological attack. A carefully crafted piece that paints Hindus as savages, nationalists as villains, and the idea of political assertion by Hindus as something dangerous.
I walked out of that theatre with a heavy heart and trembling hands. A part of me still couldn’t believe what I had just watched.
Mr. @Mohanlal, this hurts. This is betrayal.
I’ve always known @PrithviOfficial’s political leanings. His ideological slant was evident in many of his past works. But you? You were above all that. You were someone we believed in. Someone we looked up to. A symbol of balanced thought and respect for all.
But now, that image is broken. Shattered.
This will be the last Mohanlal movie I ever watch. And I say that with a lump in my throat. I never imagined that the man I adored would be part of a film that demonizes the very faith I was born into. That subtly mocks the people I call my own. That slanders the leaders I trust—@narendramodi, @BJP4India—and every Hindu who dares to speak up.
Let the world remember this: *Hindus have never been the instigators of riots. What has happened in the past has always been a reaction to relentless provocation and cowardly attacks from those who claimed a holy cause. And yet, you’ve chosen to paint us with the darkest of brushes.*
Mr. @Mohanlal, you’ve stooped to a level I never thought possible. You let your name, your legacy, and your art become a weapon against your own people.
Shame on you.
Today, I didn’t just watch a movie. I watched my faith, my beliefs, and my fandom burn—just like that village in your film. And from those ashes, rose a heartbreak that I’ll never forget.
See for yourself! The theatre was completely empty.
(*Abhijith Radhakrishnan Nair* on x
I’ve always called myself a hardcore *@Mohanlal* fan. Not just a fan—an admirer, a worshipper of his art, his screen presence, his humility. His films have been my escape, my joy, and my pride as a Malayali and as a Hindu. So naturally, March 27th was a date I had circled in my heart—the day Empuraan would hit the theatres.
I walked into the hall with excitement coursing through my veins, just like every other time a Mohanlal film released. The lights dimmed. The familiar rush of anticipation filled the air. I leaned back in my seat, ready to be enthralled.
But what followed in the next fifteen minutes shattered me.
The film begins with a disclaimer: “All characters and incidents are fictional.” But then comes a scene from 2002—a Muslim village being burned down. Amid the chaos, a little Muslim boy crying out for his father is brutally beaten to death by a Hindu man. I sat frozen. My heart pounded, not with thrill, but with confusion.
The scene changes. Some of the Muslim villagers, terrified and bloodied, seek shelter in a Hindu home. But instead of compassion, they’re met with horror. Hindu men, supposedly their saviors, turn into beasts. And in the most gut-wrenching moment, a Hindu man is shown raping a pregnant Muslim woman.
I felt sick. Not because the scene was intense, but because of what it was trying to say. Why? Why this portrayal? Why this narrative?
As the film progresses, the attack isn’t just on individuals—it’s on ideals. A major political party merging with a pro-Hindu one is depicted as a catastrophe, a threat to Kerala’s culture and ethos. The villain from this so-called pro-Hindu party declares that Kerala’s 600 km coastline could be used for smuggling drugs and psychotropic substances.
What was @PrithviOfficial trying to prove? And more painfully, why was @Mohanlal a part of this conspiracy?
This isn’t just creative liberty. This feels like an ideological attack. A carefully crafted piece that paints Hindus as savages, nationalists as villains, and the idea of political assertion by Hindus as something dangerous.
I walked out of that theatre with a heavy heart and trembling hands. A part of me still couldn’t believe what I had just watched.
Mr. @Mohanlal, this hurts. This is betrayal.
I’ve always known @PrithviOfficial’s political leanings. His ideological slant was evident in many of his past works. But you? You were above all that. You were someone we believed in. Someone we looked up to. A symbol of balanced thought and respect for all.
But now, that image is broken. Shattered.
This will be the last Mohanlal movie I ever watch. And I say that with a lump in my throat. I never imagined that the man I adored would be part of a film that demonizes the very faith I was born into. That subtly mocks the people I call my own. That slanders the leaders I trust—@narendramodi, @BJP4India—and every Hindu who dares to speak up.
Let the world remember this: *Hindus have never been the instigators of riots. What has happened in the past has always been a reaction to relentless provocation and cowardly attacks from those who claimed a holy cause. And yet, you’ve chosen to paint us with the darkest of brushes.*
Mr. @Mohanlal, you’ve stooped to a level I never thought possible. You let your name, your legacy, and your art become a weapon against your own people.
Shame on you.
Today, I didn’t just watch a movie. I watched my faith, my beliefs, and my fandom burn—just like that village in your film. And from those ashes, rose a heartbreak that I’ll never forget.
See for yourself! The theatre was completely empty.
(*Abhijith Radhakrishnan Nair* on x